Buckingham Palace’s Private Art Collection Is Going On Display For The First (And Perhaps Only) Time Ever

Talk about your unprecedented times. Buckingham Palace needs a plumbing update, so the paintings, including Vermeer’s The Music Lesson and two Rembrandts, have to find a temporary home, and the Queen’s surveyor sounds thrilled about it: “In a way, we’re obliged to do it. … We’ve got to get them out of the picture gallery for the building work.” – The Guardian (UK)

To Find A Book That Charts Our Own Distressed Times, Try Doris Lessing

The Golden Notebook, published almost 60 years ago now, gets to the heart of almost everything (depressingly, still) going on right now. “Lessing — like Anna — is unafraid to dirty her hands in the quest for truth. She might write with an acid touch but she doesn’t keep an Olympian distance from new causes or passionate affairs.” – The New York Times

Will Britain’s First Live Show To Return Actually Make It Back To The Stage?

Actors rehearsing for the musical Sleepless get test results within 45 minutes on an app. One of the actors says, “It does actually feel amazing to just be hearing people sing again. It’s made me realize the escapism of theatre and how much people will love to see it again.” (Especially if the audience can also get those speedy tests?) – BBC

The Pain And Dedication Of Being A Reality Show Camera Operator

The camera operators’ job applications asked them to list their skills at things like mountain biking, river rafting, and hiking. Those aren’t on the skillsheets for a lot of camera operators, but “‘I wish every job application was like that, because that’s all the stuff I love to do,’ said camera operator Kathryn Barrows, 43. ‘I felt like this is the show I’ve been waiting my whole life to shoot.'” – Los Angeles Times

As We All Know Now, Time Both Is And Isn’t Real

OK, let’s get metaphysical: “‘The true present is a dimensionless speck,’ Alan Burdick writes in his book Why Time Flies. ‘The specious present, in contrast, is ‘the short duration of which we are immediately and incessantly sensible’ ’—he quotes James. The specious present, Burdick adds, ‘is a proxy measure of consciousness.’ It is what we think of as now. Not the gen­eral now, as in “the way we live now,” but right now. And how long is now?” – The Paris Review