The themes will be similar to anyone who has followed the artist’s work. “‘These issues of power and control and physical damage and death and predation are ages old,’ Ms. Kruger said in a phone interview from Los Angeles. ‘I wish some of these issues would become archaic.'”
Author: ArtsJournal2
The End Of ‘American Idol,’ And The Dream Of Unity It Once Represented
In the context of Kelly Clarkson, the inaugural winner of the show, and her new album – which is both lightly political and aimed at a casual pop listener – we can see the end of whatever unity the country was thought to possess, musically and otherwise, in 2002.
Brooklyn Has A Newish ‘Bone-Breaking Dance Scene’ Inspired By Jamaica [VIDEO]
“When we’re in a dance battle, it’s really like a battle – it’s a way for people to let their emotions out,” says one contestant in the ever-evolving subculture.
Harvey Weinstein’s People Offered Rose McGowan A Million Dollars In Hush Money
The Scream and Charmed actor, now a multimedia artist with an intense following on Twitter, got the offer to sign a nondisclosure agreement mere days before the New Yorker and New York Times articles about Weinstein’s assaults came out. She says she countered with a request for $6 million, partly as “slow torture” for Weinstein, but she quickly withdrew the offer.
The Director Of The Harry Potter Play In London Wants British People Taking To The Streets For Art
John Tiffany “argued that it is a ‘social crime’ to deny children the arts, as this prevents them from reaching their full potential.”
Galleries Transform As Fairs Take Over The Art World
Basically, galleries are becoming more like happenings, or “pop-up restaurants,” just to deal with a world that’s filled with high rents and art fairs. “The idea is to create a model that is more affordable and flexible and allows galleries to come and occupy a space for a designated period of time.”
How Joan Didion Escaped The Writer Publicity Grind (And Sure As Heck Isn’t On Twitter)
Despite two highly autobiographical books and a new movie about her, Didio “isn’t fully a celebrity. She isn’t fully an author, in the modern way of it. To be an author, today, is generally to be required, repeatedly, to acquiesce: to give in to demands of omnipresence, of performative relatability. To live-tweet The Bachelor. To write op-eds in the Times. To accept that being part of the zeitgeist requires that one first accept the terms of geistiness: disembodied, environmental, miasmic. To be an author, today, is in some part to sacrifice oneself.”
Top AJBlogs For The Weekend 10.29.17
Tea for Three? Take a Seat
Simone Forti, Steve Paxton, and Yvonne Rainer get together at Saint Mark’s Church. (L to R): Simone Forti, Yvonne Rainer, and Steve Paxton rehearsing. Photo: Ian Douglas “It is better to have loved and lost … read more
AJBlog: DancebeatPublished 2017-10-28
A Turning of The Tide?
SINCE I turned my book Culture Crash in four years ago, a few things I described have proven me a bit pessimistic. (Visual art may be healthier than I predicted, and music steaming has … read more
AJBlog: CultureCrashPublished 2017-10-27
Three critics in a studio, wrangling
The second episode of Three on the Aisle, the new podcast in which Peter Marks, Elisabeth Vincentelli, and I talk about theater in America, is now available on line for listening or downloading. In this … read more
AJBlog: About Last NightPublished 2017-10-27
Almanac: Hermann Hesse on classical music
“We consider classical music to be the epitome and quintessence of our culture, because it is that culture’s clearest, most significant gesture and expression. In this music we possess the heritage of classical antiquity and … read more
AJBlog: About Last NightPublished 2017-10-27
A Timely Movie About Making Art – In Complete Anonymity – Under Dictatorship
The film’s director, Paula Markovitch: “My parents were artists and they were intelligent at a terrible time. The dictatorship not only persecuted academics, it persecuted anyone intelligent. In that sense they were internal exiles. Exile are those who fled, those who escaped the dictatorship going to other countries. And the internal exiles were those who hid within the same territory.”
A New Theatre In London Is Making Bank As It Steps Away From Government Funding
Ironically, the first show of The Bridge Theatre, a venture from former National Theatre head Nicholas Hytner and his former executive director, Nick Starr, is about Marx.
