The Company Behind ‘Love, Actually’ Is Opening A School In London

The point, for the school for 16-19-year-olds that will teach film production alongside the British national curriculum? Increasing diversity in film. “We want to ensure we get an absolutely diverse set of students from diverse backgrounds into the industry. We don’t have a quick fix, but we want to help them realise the opportunities in the hope their voices will multiply.”

What Should You Watch On Netflix?

“Beth’s performance at work starts to suffer. She hasn’t been on a date in months. … It’s true that meth and cancer aren’t ‘feel good,’ but maybe all of her problems would change if she’d just watch Breaking Bad. She would like prestige television and hoppy beer and tweet things like ‘Everyone should have health care!’; she’d actually march in a Women’s March instead of just liking people’s photos from it; and at work meetings she’d sit at the head of the table instead of hiding behind the garbage bin. She’d be a real woman!”

What The Walkman Hath Wrought

There was a time before all of this: “We are simply accustomed now to experiencing music in this deeply personal, albeit solitary, way. We disappear into headphones, stream a song via smartphone from the intangible, infinite web, creating a sonic landscape that mirrors our mood. We walk around the grocery store in Beyoncé-land.”

Louis CK And Hollywood’s Canon Of Creepy Men

Manohla Dargis, as she discusses the Louis CK movie I Love You, Daddy that will now not be released: “Soon after Harvey Weinstein was first outed as a sexual predator, I created a document titled ‘Creeps’ in which I tried to list every man who had sexually harassed or assaulted me. It’s a companion to the running inventory that I keep in my head of the male filmmakers, in Hollywood and out, whose work degrades or disdains women.”

Shepard Fairey, The Street Artist Who Made The Obama ‘Hope’ Poster, On Whether Street Art Even Exists Anymore

He says yes (after acknowledging that some might feel he’s sold out, what with a clothing line and other commercial commissions): “People get numb to anything that is predictable. Street art has some cliché aesthetics, like stencils or drips or tags or any number of things you associate with the medium. But street art is evolving all the time. So I think the power for street art to impact people is always gonna be there. It’s just a matter of finding a way of staying a step ahead of what’s become cliché.”

How Do Composers Survive When They’re Not Working At Universities?

“Merely a generation ago, the unaffiliated or the ‘freelance’ composer was a more common phenomenon in new music. With a more reasonable cost of living in culturally active cities such as New York City or San Francisco, composers could more easily build their lives around the pursuit of their craft, while earning a modest living doing a part-time side job.” No longer. So what do they do?