It’s Been One Year Since The Ghost Ship Tragedy, And Here’s How An Artists’ Collective Called ‘Deathtrap’ Is Doing

The artists left Deathtrap in July, feeling betrayed by the city of San Francisco, which fractured their community. “If there’s a silver lining to being forced from their home, it’s that some of the former Deathtrap residents formed 30 West, a nonprofit that hopes to build a live-work place that won’t be shut down because of code violations and zoning restrictions. The 30 West collaborative began leasing an empty warehouse in Oakland in June.”

A New Director Has El Museo Del Barrio Wondering If It Can Build A Bridge Between The Art World And Its Activist Founders

There are budget problems, and the museum is about to close for seven months for renovations. How will El Museo stay connected and current? New executive director Patrick Charpenel “said he would organize panel discussions and publish books to ‘open a bridge of knowledge’ about the cultural contributions of Latinos and to explore subjects like immigration, exclusion and diversity.”

What Virtual Reality Might Do To Our Nervous Systems

Vision has a general advantage, in humans, over touch, so the virtual reality environment should be OK. And yet! “Touch is the fact-checking sense. … Touching is more psychologically reassuring than seeing. Touch does not always make us experience things better, but it certainly makes us feel better about what we experience. Even when we can see that the keys are in our bags, we are much more certain that they are once we’ve touched them.”

At The Kennedy Center Honors, No Stand-In For An Absent President

The absence of the president in the president’s box “is notable for several reasons. The gala is a fundraising event for the national arts center, and having a sitting president in attendance is a significant draw. In addition, the lasting image of the annually televised event features the first couple seated alongside the smiling honorees. This year’s celebration of the performing arts will air at 9 p.m on Dec. 26 on CBS.”

The AIDS-Crisis Silence=Death Poster Is Iconic, But How Did It Come To Exist?

Avram Finkelstein: “For public discourse to pierce through the churning perpetual motion machine of the American commons, it needs to come in bursts. Manifestos don’t work. Sentences barely do. You need sound bites, catchphrases, crafted in plain language. The poster is exactly that, a sound bite, and vernacular to the core. The poster perfectly suits the American ear.”