The Colorblind Artist

Children’s book illustrator Loren Long, whose mother told him immediately after he learned he was colorblind that he should still pursue the art he loved: “In general, I can’t tell the difference between the many shades of brown and green or blue and purple. They’re very similar to me. Light blue and lavender look the same, and tan and pale green are almost impossible to tell apart. My living room is a shade of gray, but if my wife had told me it was green I would have taken her word all these years.”

The Uffizzi Had A Huge Collection Of Pre-19th-Century Work By Women Hidden Away – But Now It’s Coming Out

It’s almost mind-blowing that what the Guerilla Girls have been saying for years is finally filtering to the places it needs to be: “Eike Schmidt, who became the Uffizi’s director in 2015 after a stint at the Minneapolis Institute of Art, says he drew inspiration from the Guerilla Girls, a group of feminist art activists, who told him that many museums have the works of women artists, but they’re kept in storage.”

Playwriting Her Way Out Of Despair

Lucy Kirkwood, playwright of The Children (now playing on Broadway), says she was trying for a long time to figure out how to write plays about climate change. “Then the events of Fukushima happened, the terrible disaster there. There was a retired work force that volunteered to go back to clear up the plant there. And apparently the entire country sort of voluntarily monitored their own energy usage. They managed to bring down their national energy usage just because everyone was diligent and considerate and thought about themselves as part of something bigger.”

Top AJBlogs Posts From The Weekend Of 12.24.17

Merry Christmas: The Annual Gift
My Christmas painting for RCA readers this year is Domenico Ghirlandaio’s Nativity from the collection of the Fitzwilliam Museum at Cambridge University. It’s dated c. 1492 and was bequeathed to the museum by Charles Brinsley … read more
AJBlog: Real Clear ArtsPublished 2017-12-24

Brownlow’s Christmas Music, By Request
When we posted this visit with Jack Brownlow a couple of years ago, response was enthusiastic and dozens of readers asked if we planned to make it an annual feature. I’m not … read more
AJBlog: RiffTidesPublished 2017-12-24

Three Christmas Albums
For some reason, this year did not bring the wide collection of celebratory albums that usually flow into Rifftides headquarter during the holiday season. But here are acknowledgements, if not full-fledged reviews, … read more
AJBlog: RiffTidesPublished 2017-12-23

The Case of James Levine: Taking Stock
When a pianist plays the piano, when a violinist plays the violin, when a conductor conducts an orchestra, the performer channels music through a network of personal traits. This should be self-evident. It has … read more
AJBlog: Unanswered QuestionPublished 2017-12-22

Jeanine Durning was the Best Thing Ever in 2017
In 2017 I wasn’t able to get out to the theater often (so I reviewed film and book and other events as well). I maybe saw 10 concerts, including the big bubbly premiere of American Balllet Theatre’s “Whipped … read more
AJBlog: Fresh PencilPublished 2017-12-22

Yu Guangzhong, An Exiled Poet Who Longed For His Homeland Of China, Dies In Taiwan At 89

He was “a prominent poet, essayist and translator whose best-known work, ‘Nostalgia,’ came to symbolize the aching separation, displacement and longing for cultural unity felt by many in mainland China and in the Chinese diaspora.” Generations have memorized ‘Nostalgia,’ and it’s even been used in high levels to argue for the reunification of Taiwan with the mainland.

The Search For Cultural Reparation In France

Artist Kader Attia, who won 2016’s Prize Marcel Duchamp, has quite a lot to say (and create) about the topic – and it’s a timely discussion, timely art. “What ultimately makes the question of reparation so compelling is not its recalcitrance, but its urgency. In Europe, and France in particular, long-strained differences of culture are now bound up in a complex web of alarming social crises — systemic poverty, racism, extremism, and terrible violence — which offer no hope of simplistic conclusion.”