The 2002 Movie ‘Real Women Have Curves’ Was A Lot (Some Say Too Much) Like ‘Lady Bird,’ But Never Got Its Cultural Moment – Why?

Critic Monica Castillo notes that it’s not the fault of the 2017 movie that the Academy didn’t recognize the 2002 movie. “Real Women didn’t receive a single nod from the academy, though it won a handful of awards in the run-up to the Oscars. That might look as if the industry were praising the movie with the white protagonist when it ignored the movie with a Latino one — that Real Women Have Curves lacked the familiarity the traditionally white, older Oscar voters would reward. … This should be a time to re-evaluate how the entertainment industry missed a remarkable movie.”

A Stolen Degas Painting Is Found, Nine Years Later, On A Bus

The painting, stolen in December, 2009, from a museum in Marseille, was (randomly, it appears) found in a suitcase on a bus outside of Paris during a customs check. “France Culture Minister Françoise Nyssen called the find a ‘happy rediscovery of a precious work belonging to the national collections, whose disappearance represented a heavy loss for French impressionist heritage.'”

Emma Chambers, Actress From Vicar of Dibley And Notting Hill, Has Died At 53

Her daffy, loopy Alice on the long-running “Vicar of Dibley” came from very hard work. “Chambers would go over every line to make sure she got the rhythm and the tone of the lunatic she was playing, says Paul Mayhew-Archer, co-writer of the Vicar of Dibley. He told BBC Radio 5 live that despite most comedy series having an idiot, ‘she made Alice a completely unique, very special idiot.'”

These Designers Are Academy Award Nominees For Two Different Movies In The Same Category

That’s right, they’re nominated for both Beauty and the Beast and Darkest Hour – one for costume design and two for production design. The women often work together. Who should win the Oscars? “Personally you know which you think you did your hardest work for. … But that doesn’t necessarily translate into which is the best film.”

The Temporary (And Constantly Changing) Balloon Art Of Jihan Zencirli

For her most recent large piece for the New York City Ballet, she “has set tens of thousands of balloons, measuring from ten inches to ten feet, throughout the David H. Koch Theater. They scale the building’s exterior and spill into the Lincoln Center plaza. You may even spot them around town, a colorful off-campus salute to NYCB. And because even professionally inflated balloons constantly change their shape and pop spontaneously, her creations will look different if you attend the ballet more than once this Winter Season.”