“The aggressive move toward original programming is having a palpable effect on content available to subscribers and reflects Netflix’s ambition to dominate Hollywood. The Los Gatos, Calif., company has already upended traditional distribution models and is now lessening its reliance on content from competing studios to fill its direct-to-consumer pipeline.” But without Disney and other licensed content, can Netflix compete in the streaming market for long?
Author: ArtsJournal2
Making Instagram Art That Owes More To Horror Than To Conventional Notions Of Beauty
It’s not all make-up tutorials, beauty influencers, and traditionally contoured faces over there anymore. Instead, sci-fi and horror are having their Instagram day, with various accounts “marrying the macabre and the glamorous. They have antecedents in the work of Alexander McQueen, 1990s club kids, Cindy Sherman (currently posting eerie self-portraits on her own Instagram account) and Lady Gaga.”
Profit Flop At Sotheby’s
“Arcane side deals” trouble the waters, and the value, of the auction house.
Beloved Salvadoran Artist Fernando Llort, Winner Of His Country’s Cultural Prize And Cathedral Mosaicist, Has Died At 69
Llort, whose mosaics on San Salvador’s cathedral marking the end of a major civil war were destroyed by the Catholic Church in a “renovation” (for which the Church later apologized), was mourned by El Salvador’s president on social media: “His charisma, masterful works and affection for our people capture the cultural identity and the development in peace and harmony of our nation.”
Private, Public, Plural
It’s time to rename ‘nonprofit’ and ‘not-for-profit’ and other arts orgs that aren’t fully private or fully government-created.
Eighth Graders React To ‘Eighth Grade’
It’s a movie about eighth grade (roughly, being 13 or 14 years old, for non-American audiences) that eighth graders can’t see on their own because it’s rated R “because of a few choice four-letter words and some squirm-inducing sex talk. On Wednesday, A24, the company behind the film, rebelled against the rating for one night, holding free all-ages screenings in every state. And teenagers came out in droves.”
Should A Big Theatre Magazine In The US Acknowledge Theatrical Designers In Its Photo Credits?
The designers asked them to, in an open letter from their union to American Theatre: “When ATM denies credit to designers while simultaneously highlighting photos of our work, they minimize the role designers play in a production. Not crediting our work diminishes designers’ contributions to a production, denies them publicity and exposure that is rightfully theirs, and further minimizes the value of good design to theatre producers, directors, playwrights, and other theatremakers.”
The British Museum Returns Some Recent Looted Artifacts To Iraq
These objects, taken from a dealer and held by the London police for more than a decade, were returned, but there’s quite a lot more looted art out there in the world: “The objects were not stolen in the notorious free-for-all at the National Museum in 2003, an event that Donald H. Rumsfeld, the defense secretary at the time, once brushed off with the words ‘stuff happens.'”
Yes, There’s A Queer Dance World Beyond ‘Pose’
Not that there’s anything wrong with Pose, of course, but there’s more – bucking, “a tight-knit community of black, gay men who’ve transformed a dance of thrusting body movements popularized in Beyonce’s ‘Single Ladies’ video into a second family.”
Major Cuts To Leonard Bernstein’s Opera Make It A Chamber Company Work (And, Maybe, A Success)
Check out the numbers for the now 90-minute-long A Quiet Place: “Back in came three arias that had been cut from the final act for the 1986 version. Snips were made throughout. An orchestra of at least 72 players was reduced to an ensemble of 18, creating leaner textures and encouraging a less, well, operatic singing and acting style.”