Joe Masteroff, Playwright Of ‘Cabaret,’ Has Died At 98

Masteroff, who adapted Cabaret from Christopher Isherwood’s Berlin Stories and the stage adaptation of that book, hit a timely nerve (not that performances have ever stopped at colleges, high schools, and community theatres – or even on Broadway, where it was revived in 2014). “Cabaret, produced and directed by the Broadway legend Harold Prince, pushed boundaries with provocative depictions of homosexuality, bisexuality, ménages à trois and abortion” – and the growing Nazi threat.

Austria Has A Provocative Contemporary Art Festival, But Is Anyone Seeing It?

In far-right governed Austria, the Steirischer Herbst “appointed its first non-German-speaking director and is now redefining itself as an international art event. The Russian-born curator Ekaterina Degot, working with a collective of other exhibition makers, has used the historically loaded title ‘Volksfronten’ (People’s Fronts) for an exploration by more than 40 artists of what she describes in her catalog introduction as today’s ‘alarming déjà vus of the 1930s.'”

Where Are All The British Working-Class Writers?

In Scotland, of course. “Scotland has an incredible wealth of working-class writers, thanks to a strong community and tradition of support from established authors.” But really, there are English, Welsh, and Northern Irish working-class writers as well, but the working-class writers and their publishers need to see interest from the public.

Women In Hollywood Who Work Behind The Scenes Also Want – And Deserve – Equal Pay

A Pay Equity Summit was billed as “the first step” in getting women pay equity with men. One of the craft guilds “published a study this year arguing that female-dominated crafts are often paid less than male-dominated jobs of similar responsibility level. The study equated women-dominated jobs like script supervisors to male-dominated jobs like assistant directors.”

Architect Robert Venturi Changed Building Styles, But Kept Architecture Even More Of A White Man’s Club

His idea of “both-and” opened up possibilities for designing buildings that didn’t hide the work, but “even as Venturi ushered in a freer, less doctrinaire architectural culture, he helped pave the way for a white, male and clubby profession to close ranks against the outside world, and grow clubbier still.”