Sometimes, Theatre Can Feel A Bit Too Topical (Even When It’s About 1977, Or 1897)

What it’s like to go to the theatre and see a play about the Constitution right now: “The play’s concerns could hardly have felt more viscerally urgent. In the row behind me, a woman wept deep, grieving tears — a kind of crying so suffused with pain that we’re not used to hearing it in public, even in a darkened theater. But this is not an ordinary time.”

What’s The Behind-The-Scenes Story On The Da Vinci Painting Restoration And Its Cancelled Showing?

Jonathan Jones rounds up all of the scuttlebutt – and there’s a lot. “A crucial piece of evidence that Leonardo painted Salvator Mundi also suggests that its restoration has been excessive and has muffled its power. Ironically, this seems to make the work both an original and, in my view, a kind of kitsch concoction.”

Carol Hall, Who Wrote The Music And Lyrics For ‘The Best Little Whorehouse In Texas,’ Has Died At 82

This is how it all began: “Ms. Hall was enjoying moderate success as a singer and songwriter when, developing an idea first hatched during a dinner party conversation, she, Peter Masterson and Larry L. King created Best Little Whorehouse, a comedy based on an article Mr. King had written in 1974 for Playboy. It concerned the moralistic efforts to close down a real-life Texas brothel known as the Chicken Ranch (because some customers paid in chickens) that had operated for years.”

The People Trying To Figure Out What’s True Now

Sarah Schulman’s new book is about people trying to figure out whom to blame, and a state where corruption at the very top leeches into every relationship. Where does her protagonist find some reality? In AA meetings. “The sheer humanity of people being able to admit their flaws in a world in which no one will admit their flaws is illuminating.”

Australians Are Making Incredible Films, But Sometimes Even Australians Don’t Get To See Them

Whose fault is that? Well … “Many Australian film-makers are locked out of cinemas. Australian producers too often lack the resources to compete with the massive marketing budgets of US films, while Hollywood cinema distributors dominate our screens. Like stocks in supermarkets, the bigger the marketing spend, the greater the shelf space accorded at the local multiplex.”

As Oregon Shakespeare Festival Searches For An Artistic Director, Its Executive Director Also Announces Plans To Leave

Cynthia Rider, who has been with the festival since 2013, says the board just offered to renew her contract, and she declined, “adding that the near-simultaneous departure with Rauch will give the festival ‘new eyes, with lots of momentum’ for upcoming challenges, especially around financial loss from wildfire smoke.”