Women In Theatre In Minnesota Succeed By Creating Their Own Spaces

In the Twin Cities, three theatre companies founded by women – including a new one focusing on opportunities for women of color and/or queer women – are changing the landscape. “‘These theaters are being founded as answers to a lack of opportunity,’ said Mary McColl, a former Twin Cities arts leader who now runs the 51,000-member Actors’ Equity union. Acknowledging that the politics of the moment have women fired up, she said she sees these companies as crucial ‘for the industry to become more inclusive and equitable.'”

How To Win A Supporting Role Oscar

First, play a pretty major role, a role that someone inexperienced in Oscar campaigns might consider to be a starring role. Second, in consultation with the studio, pick a strategy that has proven to be winning – or one with a strong narrative arc. (See: Glenn Close.)

The Public Theater Lives Up To Its Name With A Tour Of Lynn Nottage’s ‘Sweat’ To Devastated Midwestern Cities

Five states, 18 cities, free performances – and a plan that reaches far beyond the play itself; “Along with community organizations, public libraries, Rotary clubs, humanities councils, and whoever else is interested, it has encouraged lectures, discussion groups, story circles, and art pieces in the weeks before and after staging a free performance of Sweat. The tour is now over, but the project is not.”

Mickey Mouse Is 90, But If You Think This Celebration Is Big, Just Wait Ten Years

Actually, the 90th might just slide right into the centenary: “Disney is using Mickey’s 90th birthday as a monstrous marketing moment, with the company’s cross-promotional machine revved up to what may be its highest level yet. Every corner of the $168 billion company is contributing to the campaign, which will intensify on Sunday when ABC runs ‘Mickey’s 90th Spectacular.’ Disney theme parks will be hosting events into next year.”

A British Screenwriter Explains Why It’s Better To Be A Producer As Well

Basically, unless a screenwriter wants to let all creative control go, the answer is to produce as well as write. And, Karla Williams says, there’s bigger issue in British media: “My work means too much to simply give it away, and with most TV commissioners, execs and producers being white, middle class men, I would be giving my baby to carers who were not best equipped to feed, love and nurture her.”