Suzanne Perlman, Expressionist Inspired By Goya And Van Gogh, 97

Perlman was extraordinary, truly. The painter once said, “‘In my work I need to identify myself with the essence of things.’ Such fierce focus as a visionary expressionist painter nourished her in a life of unforeseen and radical changes of circumstance. She was essentially self-taught, and it was following her arrival in the Dutch West Indies as a young Jewish refugee from Europe in 1940 that her art emerged with a consummate self-assurance.” – The Guardian (UK)

Netflix’s Bemusing Reshuffle Continues

NIna Wolarsky, who was VP of original series – drama, is out. “The Wolarsky news comes just a week after president of originals Jane Wiseman was shown the door. The ongoing senior management exodus from Netflix also includes Channing Dungey, to whom Wolarsky previously reported. Dungey stepped down from her vice president of original content role to succeed Peter Roth as chairman of Warner Bros. Television Group.” – Variety

London’s Old Vic Has Sold 30,000 Live Streaming Theatre Tickets … And Counting

It’s not an archive; it’s not live in a parking lot. It’s live and socially distanced and streamed. Those 30,000 tickets have sold to people in 73 countries. But it’s not perfect, especially for the directors and performers. “There’s no immediate response, no sense of connection, nor is there an opportunity to go out and have a drink or something to eat. Everybody just goes home, individually. It emphasizes the isolation and the loneliness and the grimness of this whole thing.” – The New York Times

How (And Why) A Longtime Producer Became A Director

After producing everything from The Talented Mr. Ripley to The Immortal Life of Henrietta Lacks, Lydia Pilcher started looking for a project of her own. “Being on the inside of the industry as a producer and really being able to see all aspects of how decisions get made — Who decides what stories get told? How did the directors get chosen? — it made me understand that there was something being missed on the Hollywood end. It’s not just that the stories were being shut out. A lot of money was being left on the table.” – Variety

The Responsibilities Of A Literary Institution

In Seattle, and likely everywhere, it’s time to think a little bigger. “A different kind of literary institution means reinterpreting what a core mission, vision and values mean when cast upon a wider field. Many arts institutions today are ‘committed to racial equity’ but don’t have the courage to take a position on upzoning, land use policy or ending the sweeps of homeless encampments. In this era, the arts are an active practice. Housing, human services, the role of government—these are the defining fights of our time and will shape the future of our city.” – LitHub