The Israeli Government Asks That The German Government De-Fund Berlin’s Jewish Museum

Why? It’s one on a list of German institutions that, the conservative Israeli government says, are promoting anti-Israeli activity or sentiment. But “Tamar Zandberg, leader of the left-wing Meretz party, which sits in the opposition, decried what she called Mr. Netanyahu’s ‘obsession’ with pursuing and censoring ideological opponents all the way to the Jewish Museum in Berlin.” – The New York Times

How Can Theatres Deal With Generational Changes, Take Risks, And Work With Failure?

Two artistic directors try to figure it out. Joanna Pfaelzer is the soon-to-be incoming AD of the Berkeley Rep: “When we look at the twenty-year-olds and the thirty-year-olds in our field, they’re thinking about collaboration, about the process of how and why and you make work together, in a much broader way. They’re going to demand that of the institutions, and the structures are going to have to adapt to their vision, and they should.” – HowlRound

A Christmas Without Enough Paper Books As Printers Run Into A Bottleneck

Turns out a banner year for publishing (which is what 2018, improbably, turned into) means that printers are running as fast as they can, and it’s not fast enough. That’s “creating a backlog that has led to stock shortages of popular titles.” (They do have these things called ebooks and audiobooks? But … anyway.) – The New York Times

Yes, International Audiences Can Appreciate – And Spend Money On – ‘Minority’ Actors And Movies

Though Tyler Perry movies aren’t popular overseas, three movies from this year of U.S. cinema have shown that it’s time for a Hollywood industry shift on actors of color. Check the numbers for Black Panther, Crazy Rich Asians, and BlackKlansman, and it’s all too obvious that “conventional wisdom” is about as unwise as you can get. – The New York Times

Facing Campus Protests, ‘Hamilton’ In Puerto Rico Moves Into The City Of San Juan

Lin-Manuel Miranda is set to return to the stage in this version, which abruptly moved to a theatre in the capital city after producer Jeffrey Seller determined that there wouldn’t be enough police protection on campus. Seller “said he welcomed activism — noting that Hamilton, a show about the American Revolution, is essentially a celebration of protest.” – The New York Times