The Architecture Of Cuarón’s 1970s Mexico City

For instance, there was the 1943 Cine Metropolitan, a movie theatre where a couple of key Roma scenes take place. “‘Cinemas were like this,’ he says reverently. ‘When I was a kid I would love to arrive 10 to 15 minutes before the beginning of the movie to see the curtain opening slowly and the expectation of what you are going to see next.'” – Los Angeles Times

Let’s Not (Ever) Forget The Glories Of Reading Iris Murdoch

“I had, I think, finally been introduced to the private world of reading that many people inhabit; a dream state I now regard as a portal to the act of breathing life into fictional worlds of one’s own. That first Murdoch novel seemed like a belief system transformed into story, given to me to make of it what I wanted, on my own.” – The New York Times

What’s Behind The Explosion Of Merchandise From Hogwarts?

What was a joke in 2001 is a reality in 2019: You can buy a Harry Potter egg cup and toast branding set or a Hedwig lip balm (really? Owl lip balm?). That’s because “everything changed last March, when Warner Bros announced a new brand: WIZARDING WORLD™.” In other words, the books and movies might be a decade old, but marketing is evergreen. – The Guardian (UK)

If You Throw A Choose Your Own Adventure, But There’s No Actual Adventure, What’s The Point?

Dear Netflix: What are you doing with Bandersnatch? (Of course, Netflix’s goal is simply to have more time spent on Netflix, which a meandering choose-your-own-adventure Black Mirror movie accomplishes quite well.) One critic: “I wanted either more control or less. I didn’t want just to declare the outcomes, I wanted to influence the motivations. Otherwise the outcomes have no grounding, no purpose.” – The New York Times

Imagine Starring As The Seaweed Maiden In A Scottish Celtic Ballet

It happened in the 1940s, when Erik Chisholm and Margaret Morris brought modernist dance views to bear on stories of Celtic legends that mixed traditional Scottish and modernist music. One principal: “Rehearsals were held up because the dancers had to learn Scottish folk dancing and that is all on the balls of the feet, whereas ballet you have to push your heels down; so it didn’t come naturally or easily – lots of us got blisters – but we respected it.” – The National (Scotland)