Cohen, writer and director of It’s Alive and Hell Up in Harlem, created cult classics. “By stocking his movies with sly social commentary and tongue-in-cheek humor, Cohen’s work felt edgier and more impactful than similar low-budget fare.” – The Hollywood Reporter
Author: ArtsJournal2
Jordan Peele’s Second Horror Movie Does $30 Million More Than Predicted In Its First Weekend Alone
Though some on Twitter said this was actually no surprise, pundits were surprised – it was predicted to do about $40 million during its first weekend. Us broke several records in its first weekend and is the largest opening ever for an original R-rated film as well. – The New York Times
This Broadway Star Would Love To Make Theatre More Affordable
Playing Eliza Doolittle right now on Broadway, Laura Benanti (whom people might know as the actor who has played Melania Trump on The Late Show) says, “If I could wave a magic wand, ticket prices would be affordable so that people could bring their families, and it doesn’t become theatre for a rich audience. It can be more theatre for the masses.” – The Stage (UK)
Trend: Symphonies Playing New, Non-Film Music By Film Composers
Sure, you’ve got your Harry Potter scores and your Star Wars celebrations (that’s all John Williams, of course), but the real hot trend with film composers now is getting their non-film work into symphony halls. “Adventurous programmers are seeking new works by established film composers in hopes that audiences have developed a thirst for similarly melodic, even exciting, music by names they recognize even if there are no images to accompany them.” – Variety
Ballet Musicals Are Rare, And Super Demanding
We don’t mean Oklahoma! either, though, yes, there’s a ballet in it. This is something different: “It’s very difficult to cast a ballet musical; the Marie ensemble requires dancers with a strong background in classical ballet, but also the ability to sing — while on pointe! — and act. ‘They’re rare,’ said Stroman, ‘but it makes them even more special.'” – Seattle Times
In The WGA Versus The Talent Agencies, Showrunners And Screenwriters Back Their Union
The issues concern who gets fees for packaging TV shows and movies (the agents get those fees now), and whether agencies have conflicts of interest around certain shows. But the point is that “the letter of support issued Saturday is significant because of the immense clout showrunners and prominent screenwriters possess in Hollywood.” – Variety
Is All Hope Gone For Hastings Pier?
This story has a lot of questions attached, about money and selling to someone who has had other companies go bad, etc., but – “First, it’s worth asking why piers in general are so troublesome and troubled – for tales of burning, failing, closing piers, or of piers falling into questionable hands, or any news item enabling the headline “The End of the Pier Show”, have become part of the national story. There is the decades-long struggle to rescue the rusting remnants of the West Pier at Brighton, the dismantling of Colwyn Bay’s pier in 2018, the addition of Blackpool’s three piers to the World Monuments Watch list of buildings at risk, also in 2018. It’s also worth asking why Hastings in particular went wrong.” – The Observer (UK)
Winner-Take-All Urbanism (Hey, Amazon HQ) Leaves A Lot Of Cities Behind
What can be done for the non-New Yorks, the non-San Franciscos, the non-Seattles? “Left to their own fate, state and local policymakers often end up shoveling money at companies in the hope of attracting future investment. It isn’t working. For today’s left-behind communities to bounce back, the federal government has to act.” – The Atlantic
Many American Film Critics Missed This, But ‘Suspiria’ Is About The Guilt At The Heart Of German History
The more German history you know – no, not only about the Nazis, but yes also about the Nazis – the more you’ll understand how very, very much cultural work this movie is doing. The movie “explores the trauma of our world by embedding [a] fable in a historical past which holds terrifying prospects for our future.” – Medium
How Miami Became A Book Town
Mitchell Kaplan founded Books & Books in 1982, a time when Miami was seen as a place of drug running, diet culture, and political unrest – and certainly not literary culture. But, well, “thirty-seven years, an international book fair and eight additional locations later, Kaplan is celebrated as the man who turned Miami into a book town, and one of the foremost literary centers in the world.” – The New York Times
