The Author Of ‘American Marriage’ Is Not An Overnight Success

Tayari Jones had several well-reviewed books before American Marriage too off last year. She remembers, “I published my first book in 2002 and I remember that I was at Bread Loaf [Writers’ Conference]. A lot of [other emerging writers] had been on NPR and other things and I hadn’t done any of these things. I remember I sat on my bed in my little Bread Loaf dorm room and I just cried. How will I ever catch up?” – Shondaland

Writing Activists Back Into History, Through Fiction

Bernardine Evaristo co-founded Britain’s Theatre of Black Women in the 1980s, and she’s not shy about using her experience in a new novel – or the experiences and lives of other Black British women through history. “It’s very important to know the alternatives to mainstream history, as we’re not represented in it. To discover how deep our roots are is important. Those of us who are older are living history, and I feel we have a duty to share it.” – The Guardian (UK)

The Cure For Our Times May Be Theatre

When a critic sees 12 plays in 10 days: Theatre “restored my vision, or at least handed me a roadmap of our location, emotionally and psychically speaking — one that extended beyond Manhattan, the country, and the curve of time. I sat down with people to contemplate the troubles of King Lear, Tom Robinson, and Socrates, recalling that, though the common cruelties of the day may be unique, how people cope with them is not.” – Los Angeles Review of Books

Why Does Country Music Have Such A Race Problem?

So … Lil Nas X’s “Old Town Road” is sitting at number one in the UK – and in the US, but despite its utter yeehaw-ness, not on the country charts because Billboard claimed it didn’t “embrace enough elements of today’s country music.” Riiiiight. The genre has a bit of an issue with Black musicians (and other musicians of color), and women of any race as well. “The gravity of this discrimination really hits home when you consider that country is the biggest radio format in the US.” – The Guardian (UK)

The Path From Dancer To Artistic Director In Dallas

Melissa Young began her career as a dancer with Dallas Black Dance Theatre, and since then, she’s been rehearsal director, academy director, associate artistic director, and interim artistic director – and now she’s got the job permanently. She saw the Alvin Ailey American Dance Theater when she was a teenager, and, she says, “from that moment on, I knew THIS was what I had to do. There was no turning back. There was no plan b to fall back on.” – Paper City Magazine