Students At The Suddenly Shuttered Phoenix Art Institute Are Stranded, With Insurmountable Debt

When the parent company for 18 different Art Institutes closed without warning earlier in 2019, students were supposed to get their loans discharged under the Closed School Discharge program. But wait: “Students at the Art Institute of Phoenix have received denial letters from their loan companies, which state that they cannot discharge the loans because the Art Institute of Las Vegas is still open.” – Hyperallergic

Near-Future Shock

Given virtual reality, Snapchat filters, and so much more, is it any surprise to think that we might all walk around looking like heart-eyed puppies soon? All but those being placed in concentration camps, of course. (This is about a TV show. Just a show. Right?) – The Atlantic

The Director Of ‘Crazy Rich Asians’ Says The Young Don’t Have Self-Hatred Baggage

Jon Chu, on Asian and Asian American actors in Hollywood: “What’s great about this whole movement is that instead of getting one shot at this next time, maybe we get five. I just hope we get the opportunity to fail and keep going. It makes me so hopeful when I talk to actors and directors and audience members who don’t have the same baggage I was taught coming up in the business, that heavy weight of feeling so out of place that you develop self-hatred. I think they see beyond that now.” – The New York Times

Making Sculpture A Force For Change In Yorkshire

In 1977, artists fought for a sculpture park in Yorkshire – but it was a very, very uphill climb. “More than 40 years later the stubbornness appears to have paid off. The YSP is at the heart of Yorkshire Sculpture International (YSI), a new festival” that is changing the area. But it started with an idea that politicians, residents, and local businesses didn’t want. – The Guardian (UK)

What’s The Future For Arthouse Films In China?

Wang Jingchun, who won the Best Actor award at Cannes, says, “The rising box office is a really good thing. At its worst, we hardly had a box office to speak of. There also used to be a problem with content: The subjects and perspectives were too old. Now we need new concepts, and young people coming up now are bringing all sorts of new ones to the table, new kinds of cinematic thinking. Also, foreign and Hollywood films have come in, and everyone’s seen everything. . … Audiences have these needs, and theaters have at least started to provide a platform for them to see this stuff.” – Variety