Trying to sell Renoir as a progressive, or even a feminist … just no. – Hyperallergic
Author: ArtsJournal2
Making The (Big) Leap From Edinburgh Fringe To Broadway
The musical Six is about – what else – the wives of Henry VIII, a musical inspired by Beyoncé and Ariana Grande. That makes it an obvious candidate for Broadway, right? Yep: “The show started out in a 100-seat venue at the Edinburgh Fringe in 2017 before moving to London’s West End. It will open at New York’s 1,000-capacity Brooks Atkinson Theatre next February.” – BBC
NYCharities Just Disappeared, Taking Thousand Of Small Dance Companies’ Dollars With It
This is not a pleasant story. “In theory, NYCharities was a small dance company’s dream. Free to use, the nonprofit acted as a clearinghouse for companies to accept credit and debit card donations online. It also allowed companies to sell tickets to galas and events, set up recurring donations and even give donors the option to pay processing fees themselves—an important feature for dance companies with small budgets.” And then? Well, it stopped transferring money, returned no phone calls, and disappeared. (Now the NY Attorney General is investigating.) – Dance Magazine
On Sunday, A 6-Year-Old Was Thrown Off The Tate Modern’s 10th-Floor Viewing Platform
The 17-year-old who appears to have thrown the child – who was airlifted from the London museum in critical condition after landing on the fifth-floor roof – was arrested on suspicion of attempted murder, and the museum went on lockdown for hours. – The New York Times
The Hotel Lobby As Gallery For Contemporary Art
And not just the lobby – some hotels commission artists or exhibits for every bit of space, including rooms, conference rooms, cafeterias and much more. – The New York Times
What Do The Original ‘Lion King’ Animators Think Of The New, Heavily CGI Version?
One animator said, “I will only get myself in trouble if I comment on the ‘other’ version,” so there’s that point of view. Another: “I think some of my colleagues forget that when you work on a Disney movie, you don’t own it. They own it. You get paid to work there, which is a great privilege. It’s an amazing company. You get to work on this great stuff. But when you walk away, it’s their movie and they can do what they want with it.” – HuffPost
It’s Time To Let ‘Miss Saigon’ Go – Forever
Pulitzer Prize-winning novelist Viet Thanh Nguyen: “Fantasy cannot be dismissed as mere entertainment, especially when we keep repeating the fantasy. Fantasy — and our enjoyment of it — speaks to something we deeply want to believe. The enjoyment of this show is based on the privilege that the audience feels, the privilege of not being that Asian woman who kills herself, the privilege of seeing the world from the viewpoint of the powerful white male savior who can both be so attractive that a woman would kill herself over him and be so paternal that he can adopt the mixed-race child who will stand in for childlike Asia, in need of Western benevolent guidance.” – The New York Times
Participatory Theatre At Its European Roots
During a conference on “Bürgerböhne” – or participatory theatre for citizens – “it became clear to me that not all countries—or even communities—have the same ideas about how participatory theatre projects work or ‘should’ work, and, on top of this, what the role of the artist, within these communities, is.” What’s the same, and what changes in different theatres across the world? – Howlround
D.A. Pennebaker, Documentary Filmmaker And Bob Dylan Mythmaker, Has Died At 94
Pennebaker’s documentary filmmaking stretched across more than six decades, and in that time, he “chronicled a who’s who of other pop music and entertainment world figures and icons over the course of his long career, including John Lennon, David Bowie, Jane Fonda, Little Richard, Jimi Hendrix, Chuck Berry and the Monterey Pop Festival.” Then there’s Dont Look Back. – Los Angeles Times
More Than A Year After 40 Artists Withdrew From A London Museum, They’re Still Demanding Answers
The timeline: Last August, “more than 40 artists removed their work from the exhibition Hope to Nope at the Design Museum in London after the museum housed an event hosted by the arms manufacturer Leonardo. At the time, the museum assured the protesting artists, who organized in a group named Nope to Arms, that it will review its due diligence policy related to commercial and fundraising activities.” Or … not, apparently. – Hyperallergic
