Protecting The Playwright’s Art Through Residencies

When playwrights get company residencies, they learn a lot – how seasons are put together, what kinds of casts theatres are looking for, and how not to take it personally when their plays don’t get selected. But they have to choose carefully. Luis Alfaro: “You know how to see a play, how to read a play, how to understand a play. And that’s more beautiful than trying to help figure out the architecture of a new building.” – HowlRound

Michelle Williams Wins An Emmy And Uses It To Stump For Equal Access And Pay For Women Of Color

Williams, who won for playing Gwen Verdon in Fosse/Verdon, said, “The next time a woman — and especially a woman of color, because she stands to make 52 cents on the dollar compared to her white, male counterpart — tells you what she needs in order to do her job, listen to her. Believe her. Because one day she might stand in front of you and say thank you for allowing her to succeed because of her workplace environment and not in spite of it.” – The New York Times

How’s That Guardian List Of The Best Plays Of The 21st Century?

It’s “a deranged hodge-podge,” according to Andrzej Lukowski. The list of 50 shows “veers from resolutely mainstream to borderline obscure without a tremendous amount of sense or coherency. All the while, it, notionally, professes to be an authoritative overview of literally all the theatre in the world over the last almost 20 years.” Ouch. – The Stage (UK)

Zadie Smith On The Most Important Book Of The 21st Century

The author of White Teeth and Swing Time says we should all read a 700-page nonfiction book about technology and capitalism. “If a book’s importance is gauged by how effectively it describes the world we’re in, and how much potential it has to change said world, then in my view it’s easily the most important book to be published this century.” – The Guardian (UK)