GoFundMe Isn’t Just For Health Care Or Funerals In The U.S., But Also For Ballet Costumes

That’s right, the Colorado Ballet has turned to crowdfunding to get new Nutcracker costumes; the old ones were created for the San Francisco Ballet in 1986, and Colorado Ballet bought them in 2005. “For years, the team has done what it can to try to maintain the set and costumes, using vodka to try to extract the sweat from the costumes and glue and tape to keep some of the props together.” – Denver7

Egypt Officially Criminalizes Climbing The Pyramids

The new laws also criminalize all kinds of antiquities theft. “Earlier this year, an Egyptian man climbed to the top of the Great Pyramid of Giza, removing parts of a 19th-century wooden mast that was installed to measure the height of the pyramid, and throwing stones at security forces.” Then there was the Danish couple that claimed to have, er, peaked on one of the peaks. – Hyperallergic

Laid-Off Marciano Foundation Workers Target LAXart Board Member

A small art nonprofit, LAXart’s mission includes social consciousness. The protesting workers were laid off after they unionized and the Marciano Art Foundation abruptly closed. They asked LAXart to tell board member Olivia Marciano, who had been the artistic director at the Marciano Art Foundation, either to explain or get off the board. – Los Angeles Times

The Effort It Takes To Appear Real And Effortless On The Stage

Mary-Louise Parker, of Fried Green Tomatoes, Weeds, and Angels in America fame, has returned to Broadway in a play that requires her to be onstage (and speaking) for the entire 90-minute span. How does that work? “‘It requires a lot of technique,’ she said. ‘It most requires it because I don’t want you to see the technique. I want you to feel like there’s a person standing there talking — just talking.'” – NPR

In The UK, Money Means Co-Productions, And That Means Regional Theatres Will Lose Their Identities

Or at least that’s the warning right now. Bristol Old Vic’s artistic director Tom Morris: “It is harder to make shows that are specific to your audience, though it doesn’t mean it’s impossible, and it’s harder to make shows specific to your region. Not impossible again, but I think we’re at an interesting tipping point.” – The Stage (UK)