A Landline Lamentation

Roger Cohen misses the world of the landline. “In the landline world there was down time. You left the house, you looked around, you saw people, you daydreamed, you got lost, you found your way again, you gazed from the train window at lines of poplars swaying in the mist. Time drifted. It was not raw material for the extraction of productivity. It stretched away, an empty canvas.” – The New York Times

So How Exactly Did They Get Carrie Fisher, Who Died In 2016, Into The New Star Wars Movie?

The movie was supposed to be about her, or be “her movie,” according to The Rise of Skywalker director J.J. Abrams. But she died long before this one started shooting. The way it worked was a reminder to everyone, writers and photographers and videographers, to save edited scenes. “‘Originally the frustration I felt at cutting out these scenes that we had shot in ‘Force Awakens,’’ Abrams says, ‘were suddenly the relief that we needed in prepping ‘The Rise of Skywalker.’'” – Washington Post

How Did The Superrich Take Over The Museum World?

Sure, some art has been dependent on wealthy patrons for centuries. But in the age of expansion and renovation, and deep income inequality, that reliance has returned with a vengeance. Take MoMA as a prime example: “Since the late 1990s, when MoMA’s current push to expand began, its trustees appear to have been chosen overwhelmingly for their wealth, and the board now reads like a roll call of the 0.01 percent.” – The New York Times

Watchmen Has Ended, But What Comes Next?

Hello, capitalism? An audience is calling. Watchmen on HBO was, for black superhero fans, even stronger than the next-best thing, Black Panther. So what will comics properties do with this audience that’s demanding more? “Let me tell you, waiting every three years for a Black Panther movie is not going to be enough after being treated to nine consecutive weeks of this HBO series.” – Washington Post

Before There Was Virtual Reality, There Were 3-D Slides

Long before virtual reality, and less digital (and perhaps less nausea-inducing), camera enthusiasts with money could create 3-D panoramas. “The technology was introduced commercially in 1947 by the David White Company of Milwaukee, maker of the Stereo Realist camera, which had two lenses, placed about eye-width apart, to replicate the way the human brain sees three-dimensional space. The camera used slide film, and a special hand-held viewer was required for maximum wow.” – The New York Times