Collecting Every Book In The World, Twenty Thousand At A Time

Brewster Kahle, who’s expanding his archive to about 10 million books (and films): “We must keep the past even as we’re inventing a new future,” he said. “If the Library of Alexandria had made a copy of every book and sent it to India or China, we’d have the other works of Aristotle, the other plays of Euripides. One copy in one institution is not good enough.”

How Does Fran Leibovitz Feel About Polar Fleece? (Just About How You’d Expect)

Leibovitz: “I actually hiked once, and it’s possible that it was the worst experience I ever had outdoors. And I was in Alaska–a very beautiful place. To me, it’s meaningless. I don’t see the point of it. It’s a hard–physically–thing. I found it hard. And when you get there, there’s nothing there, just more of what you passed.”

Quebec Cinema Is Booming. Great, But Why?

Why is Quebecois cinema suddenly so popular with the Oscars (Incendies, Monsieur Lazhar) and with filmgoers? “For way too long, Quebec cinema was stuck in a pure-laine universe that was virtually entirely white and Franco. Quebec cinema is opening up to the real Quebec and that’s partly why the world is opening up to Quebec cinema.”

What We Talk About When We Talk About Classical Music (And How To Do It Better)

“Yes, classical musicians can be amazing, and their performances are the result of a kind of intense dedication (those hours of practice) that rightly inspire respect in those who don’t do it themselves. Yet all artists spend hours and hours making their art, and few other artists are greeted with the same kind of awe simply for doing what they do (‘You wrote a BOOK? All those WORDS? Wow!’).”