A European Opera Star Makes Her Way To New York – Finally (And Briefly)

“Operatic careers work in mysterious ways, particularly for performers with strong, idiosyncratic ideas. The repertory that was long [Anna Caterina] Antonacci’s specialty — Rossini’s serious operas and the declamatory Baroque of Monteverdi and Gluck — has never been popular in America. And though she is well represented on DVD, Ms. Antonacci has never had the support and publicity muscle of a major record label.” But at least she’s finally on tour in the U.S.

America, Of Cliques We Sing (And Play)

“America, as it is understood as a modern geopolitical entity, is ethnically diverse and the music heard in orchestral halls is a mere fraction of what is heard and played here. It’s not very popular among American citizens. … We still have no real national music. The supra-cultural machine tells us what is popular and we develop our cliques accordingly.”