Time To Toss ‘New Writing’ For Something Wilder And, Perhaps, Newer?

“The ‘New Writing’ play, like the ‘Well Made Play’ before it, exists as some sort of ideal to which new writers are supposed to aspire. This sense of what makes a good play has crept into the way workshops are run, courses are structured, feedback is given and, most damaging, into the very heart of the relationship between producers and artists. In teaching narrative, characterisation and structure, we are teaching a very particular set of aesthetic values predicated on creating a very particular kind of play.”

Founder Of StoryCorps Remembers Studs Terkel, Extraordinary Historian Of Ordinary People

“When Studs was 91½, he took time to fly to New York City to cut the ribbon on our first StoryCorps Booth in Grand Central Terminal. At the opening, Studs proclaimed, ‘We know who the architect of Grand Central was, but who laid these floors? Who built these walls? These are the voices you must celebrate through StoryCorps!'”

Writers Still Lead Revolutions (Or At Least Spirited Marches) In Russia

“When the 12 writers left Pushkin Square at lunchtime, they were trailed by a crowd that swelled to an estimated 10,000 people, stopping traffic and filling boulevards for 1.2 miles. Many wore the white ribbons that are a symbol of opposition to Mr. Putin’s government. The police did not interfere, although the organizers had not received a permit to march.”

Selling Man Ray’s Legacy – From The Auto-Body Shop

“Mr. Browner, now 86 years old, had only met Man Ray once before he and his brothers stepped in three decades ago to help their bereaved sister sort out the artist’s affairs. Today, Mr. Browner manages 15,000 copyrights for the artist and oversees licensing contracts worth roughly $300,000 a year–from Mandarin Hotel headboards embroidered with Man Ray’s images to Zara’s taupe-colored Man Ray shirts. The trust’s proceeds are split among a dozen heirs.”