Is It Better To Be Prolific Or Slow (We Mean Thorough, Of Course)

“For an artist to remain relevant and part of the cultural conversation, no matter how degraded they might consider that conversation, they can’t stand along the wall at the party only to step into the fray every five years, deliver a profundity and then retreat. … But myself, I’ve always admired artists who see themselves not as loiterers but sharks, never stopping, always moving, if only to circle back.”

Gerhard Kallmann, 97, New Brutalist Architect Of Boston City Hall

“In February, on the 50th anniversary of the building’s competition, Mr. Kallmann responded to its many critics. ‘It had to be awesome, not just pleasant and slick,’ he told The Boston Globe. Great buildings, he said, should ‘remind you of ancient memories, history.’

“‘It’s not a department store. It’s not an office building. Come on.'”

Shepard Fairey Takes His Street Art To London

“The natural territory of the street artist Shepard Fairey would seem to be as all-American as it gets. Emerging from the country’s skateboarding scene, he achieved global prominence with his much copied, much parodied Hope poster displaying a stylised Barack Obama in shades of blue and red.” Which is why he was in north London making a mural, of course.

To Work Well, Online Music Recommenders Require More Than Programming

Online services like Pandora, Last.fm, Spotify and others keep on trying to figure out the algorithms – and then pulling in human recommenders as well. Why? “Algorithms and APIs can do amazing things. But at the end of the day, determining what music – as well as art, movies, books and other media – people will like still requires human beings with real ears connected to real brains.”