Jacqueline Du Pré and Monty Python Comedian Screwed Out Of English Heritage Blue Plaque By Budget Cuts

“The number awarded each year has been reduced by a quarter, while plans to grant plaques to dozens of famous names – which had already been given initial approval – have been scrapped, among them Graham Chapman, the Monty Python comedian, Sir Barnes Wallace, the scientist who invented the ‘bouncing bomb’ used by the RAF during the ‘Dambusters’ raid and Jacqueline du Pré, the cellist.”

The Law, The Market, And Artworks Of Dubious Authenticity

“What previous rulings show, however, is that while judges and experts consider the same evidence — provenance, connoisseurship and forensic analyses — they tend to value it differently. For example judges tend to give added weight to the signature of an artist on the work, Mr. Spencer said, whereas experts rely more heavily on the connoisseur’s eye.”

Hey Theatre: You Can Do A Better Job Welcoming Black Audiences

“The theatre industry should take a closer look at understanding the bigger picture. Black audiences should feel included rather than targeted: Increasing the appearance of all-black casts, reevaluating the notion that black casts are only limited to traditional casting, and dismissing the mindset that Black audiences are less reluctant to go to the theatre, are all great starting points. Otherwise, the attempts at attracting Black audiences will remain at the surface.”

We Mean It This Time – Hollywood Is Figuring Out Social Media At Last

“After several years of experimenting, studios have thrown themselves deeply into a medium which is still barely understood. They are now developing elaborate social media campaigns early on, sometimes as soon as a film gets greenlit. Researchers are conducting deep numerical analysis on posts and tweets to guide marketing decisions, sometimes predicting box office revenue with pinpoint accuracy. They’re looking not just at opening movies, but sustaining their word-of-mouth through subsequent weeks. And they are getting more surgical about targeting their ever-fickle, ever-elusive core audience of young people.”

Too Much Like: Twitter And Tumblr Are Destroying Literary Criticism

“If you spend time in the literary Twitter- or blogospheres, you’ll be positively besieged by amiability, by a relentless enthusiasm that might have you believing that all new books are wonderful and that every writer is every other writer’s biggest fan. It’s not only shallow, it’s untrue, and it’s having a chilling effect on literary culture, creating an environment where writers are vaunted for their personal biographies or their online followings rather than for their work on the page.”