The problem is that thinking about the prize bypasses the hard work – the mountains, in some cases, of hard work – that it takes to reach those goals. So: “The key to bypassing this mental glitch is to simply think about the efforts required. Imagine yourself typing away late at night on your book after a long work day, or studying for the GRE on a sunny Saturday, or waking up at 5 a.m. on a cold morning to train for that marathon.” – Fast Company
Author: ArtsJournal2
As ‘Fresh Off The Boat’ Ends, What Did It All Mean?
Asian Americans remember how excited – and worried – they were when the show was announced five years ago, after a two-decade drought for Asian American representation on network TV. Did the series live up to its hype? One writer says, “It felt like a dream.” (And it changed the media landscape demonstrably as well.) – Shondaland
The Subtitles Vs. Dubs Debate, Reignited By ‘Parasite’
How did we get here, with most U.S. audiences only seeing subtitles on non-English-language films and many other countries using excellent voice actors and technology for dubbing, and where are we going? (In other words, are the one-inch subtitle barricades about to fall?) – BBC
Dance Critic Tobi Tobias, A Finalist For The Pulitzer Prize, Has Died At 81
“As a critic Ms. Tobias did not pull punches. In the early 1980s, for instance, when other critics were tiptoeing around the decline in the dance skills of Rudolf Nureyev, who was then in his 40s, she declared, ‘His groupies refuse to believe it, but Nureyev really can’t dance anymore.'” (You can see two pieces about Tobias, who wrote for ArtsJournal, on ArtsJournal.com here and here as well.) – The New York Times
Independent Cinemas In Canada Say They’re Being Shut Out By Cineplex
How’s this for a near monopoly? Cineplex owns 75 percent of movie screens across Canada – and indie theatres say the behemoth is shutting them out of Oscar winners and nominees like Parasite and Little Women. “Industry insiders say the practice of exclusive runs at certain cinemas isn’t new. But independent theatres say that exclusivity has become excessive and keeps them from showing award-winning movies for longer than ever.” One wrote a petition saying this practice is “crushing indie theatres across Canada.” – CBC
While Boris Johnson Wants To ‘Massively Prune’ The BBC, Senior Tory MPs Say No
One MP called the idea an “act of cultural vandalism,” and another wrote, “”his is not a fight the BBC is picking nor a contest my party promised if we got elected. … If the BBC ends up in decline, it will be the government which will be accused by the very people we will rely on for support at the next election.” But Johnson is determined to pick the fight. – BBC
More Eyes On South Korea’s Class Divisions After ‘Parasite’ Hits Big On The World Stage
The semi-basement that the Kim family lives in is a reality for about 2 percent of South Koreans living in Seoul – one of the most expensive cities in Asia. One of them, who shares a name with the daughter in the film, says it’s very similar. “Kim, who moved into her $211-a-month banjiha apartment after leaving her job to take care of her mother, is no fan of her current accommodations, which flood during the rainy season.” – The Washington Post (AP)
Overheard At LA’s Art Fairs
“I walk into the wrong entrance at the large industrial building hosting the Spring/Break Art Show. ‘Sorry!’ a young cheery Englishwoman at a desk tells me. ‘This is a dumpling-associates popup!’ I don’t think I’ve ever heard a more beautiful sentence.” – Hyperallergic
The Oscar Bump Was Real This Week For ‘Parasite’
Well, debate over, at least for films with subtitles: “The twisted South Korean thriller collected $5.5 million over the weekend, an exceptional 234% increase in ticket sales and the biggest post-Oscar boost for a best picture winner in the past decade.” (And that’s not including the massive overseas bump as well.) – Variety
The Royal Shakespeare Company Hires Its First Spanish Actor
David Luque, a 47-year-old actor from Madrid, has been working steadily in theatre for decades, starting when he was a student using the EU’s programs to study in Germany. But really, right as Brexit hits? He says, “The RSC is in an opening moment, breaking old schemes to try to reflect on the stage the diversity. … It may seem paradoxical at this time when Brexit has just taken place, although perhaps it is precisely the reaction of the art world.” – El País (Spain)
