One Of The Last Victims Of Hollywood’s Blacklist Recounts How She Fought For Her Career

Marsha Hunt, who “never wanted to do anything but act,” was on the list when the “Red Channels” were published, claiming she was a Communist or “fellow traveler.” Why? Because she had defended others’ right to be in any party they wanted to be in. She explains, “It was a time of hysteria and all of us who spoke out against blacklists were punished in some way or other. There was a very strong right wing in the movie business.” – BBC

Bill Smith, Master Of Two Musical Worlds, Has Died At 93

His double music life: “As William O. Smith, he pioneered unorthodox techniques for his instrument and developed ways to notate them for other players. Composers like Luigi Nono, Pauline Oliveros and Gunther Schuller fashioned works that took advantage of Mr. Smith’s uncommon virtuosity. His own compositions were performed and recorded by eminent artists like Mr. Schuller, André Previn and Marni Nixon. As Bill Smith, he enjoyed a lively career as a jazz clarinetist. He was admired for his bright tone and buoyant swing, most visibly in bands led by [Dave] Brubeck.” – The New York Times

Waterstones Boss Finally Admits Staff Are In Danger And Closes Bookstores

After days – and lots of angry tweets, posts, and other pushback from staff who said they had no masks, no gloves, no hand sanitizer, and were still being forced to take cash – and the CEO saying “his stores are ‘no different to a supermarket or a pharmacy’ as he vowed to keep the book chain open,” he has at last closed for the duration. – The Guardian (UK)

The Psychology Of Comfort TV

Says one professor of media psychology on why so many people are watching, say, “The Great British Baking Show” and other comfort watches or re-watches: “There’s a lot of comfort in knowing when something’s going to happen. You don’t have to exert a lot of cognitive energy, so it doesn’t feel taxing.” – The Atlantic

James Hatch, Archivist Of Black Theatre, Has Died At 91

Hatch and his wife, artist and filmmaker Camille Billops, “created a vast archive of interviews with black actors, singers, writers and artists. … He became an expert in the history of black theater, not only rediscovering overlooked works but also unearthing the black origins of elements that had been appropriated by white playwrights and entertainers.” – The New York Times