Theatre Too Big To Fail (Perhaps Unfortunately)

“There does seem something odd about ACE’s long-standing tradition of hurling ever more money at buildings and organisations that lurch from crisis to crisis. There are plenty of small, nimble organisations with absolutely no desire to empire-build by adding another auditorium or indeed any auditorium at all, but who get by on very little funding; who with a little bit more, they could be real power houses, despite, or perhaps because of, their diminutive size.”

Keeping Music Alive

“Making sure our music survives is about a lot more than just writing it down. It has to do with teaching our harmonic language and melodic style to those who learn from us. It has to do with nuance, experience, storytelling, and subtlety.”

As Lawsuit Shows, It’s Hard Out There For An Independent Movie Producer

“Indie producers typically raise money from a pool of investors, and look to partner with studios that can market and distribute their projects. But their movies often have trouble finding an audience in a marketplace dominated by big productions. It’s a bit of a gamble, and unlike a corporation, independent producers often don’t have the deep pockets necessary to weather a movie that bombs.”

When People Say ‘Think Of The Children,’ They’re Not Being (Purposefully) Manipulative

“The notion of ‘harmless wrongs’ or ‘victimless crimes’ is more complicated that you might think. Although logically possible, victimless crimes are psychologically rare. Perceptually speaking, if you see something as wrong, you almost certainly see it as harmful. The absence of victims occurs only in the absence of immorality.”

When The Time Comes To Combine Your Libraries

“In some way that wasn’t apparent to me before they sat on the side table, waiting to be sorted, I could see these were the books that had kept him company in those years before he knew me, the books that had helped him turn into him. This hadn’t quite been apparent to me before I took them down to move them.”

Indies Are Back With Force (And Bidding Wars) At This Year’s Sundance

“One factor in this year’s resurgence of sales may be the magic glow shed on Sundance by the fact that two of its 2014 selections – Whiplash and Boyhood, by festival regular Richard Linklater – are among the best picture contenders at the Academy Awards. But the marketplace has changed, with distributors hungry to buy titles for video-on-demand services.”