Websites Are Doomed

“A bunch of publications will go out of business and a bunch of others will survive the transition and a few will become app content GIANTS with news teams filing to Facebook and their very own Vine stars and thriving Snapchat channels and a Viber bureau and embedded Yakkers and hundreds of people uploading videos in every direction and brands and brands and brands and brands and brands, the end.”

The Woman Who Runs The LA Phil

“Her key accomplishment has been to keep the Phil relevant — and prosperous — at a time when fewer people nationwide want to buy season tickets to the symphony, especially an on-demand young generation that prefers a la carte programming with a contemporary edge. Borda and Dudamel have kept the classics, but they have expanded the repertoire.” (This is the first in a week-long series of interactive stories about the Los Angeles Philharmonic.)

If You’re The Betting Type, You Might Want To Bet On ‘Birdman’ And Its Director At The Oscars

“Alejandro G. Inarritu’s dramedy won the Directors Guild of America’s 67th DGA Award for Outstanding Directorial Achievement in Motion Pictures — aka the DGA Award — on Saturday night, which, on the heels of the film winning the top prizes of the Producers Guild of America and Screen Actors Guild, suggests that it will take something of a miracle to stop the film from winning the best picture Oscar on Feb. 22.”

When Dave Eggers And A Pakistani-American Playwright Decided To Create An HBO Series About A Muslim Cop

“What would happen if, instead of a token, we had a plurality? And they had last names, diverse ethnic communities, personalities, lame jokes, intrusive mothers, annoying but loving families, significant others, hobbies that weren’t inherently criminal, an ability to converse without violent outbursts, and so forth?” (HBO was very clear that it didn’t want “the Muslim Wire.)

So, Who Won The Classical Grammys?

“The curiosity of the evening was a Best Classical Compendium Grammy for late American eccentric composer and inventor Harry Partch. Accepting the award for his recording of Partch’s Plectra & Percussion Dances, producer John Schneider noted that his musicians had to learn the composer’s daunting 43-note scale as part of their preparation.”