Four Million People Visited Hamburg’s New Elbphilharmonie In Its First Year

The highly-praised, wildly-over-budget venue “has taken in up to 17,000 guests a day, with people from all over the world streaming in to attend concerts or just have a look around the distinctive building. In total, more than 62,000 people have thus far taken a tour of the building and 660,000 people have attended the concerts held there.”

Top Posts From AJBlogs 10.26.17

Music Lessons for Museums
Over the past year or so, I have had the pleasure of working with the Wallace Foundation on its Building Audiences for Sustainability program, which has been funding initiatives at performing arts organizations for … read more
AJBlog: Real Clear Arts Published 2017-10-26

Parsing the Arguments: Second Lawsuit and Reply Brief Filed Today on Berkshire Museum’s Art Sales
In the continuing saga of Berkshire Museum’s planned art sales through Sotheby’s, a second lawsuit and motion for an injunction (following close upon these) have today been filed by a new set of complainants in … read more
AJBlog: CultureGrrl Published 2017-10-26

American Ballet Theatre Throws a Party
ABT presents new and recent ballets at Lincoln Center through October 29th. … read more
AJBlog: Dancebeat Published 2017-10-26

 

Henry Moore’s Sculpture ‘Old Flo’ Is Finally Back Home In London

“The much travelled Henry Moore sculpture of a draped woman, affectionately known as ‘Old Flo’, is back on public display in east London having survived vandalism, the demolition of her original setting, a custody battle in the courts and attempts by a council to raise cash by auctioning her off. However, the statue is now sited on private land – though still accessible to the public – among the towers of Canary Wharf, and not as originally intended by the artist to bring a little joy into the heart of a council estate.”

Filling The Empty Spot In Detroit’s Theater Ecosystem – With The Work Of A Fast-Rising Hometown Playwright

Dominique Morisseau (Pipeline, Skeleton Crew) is seeing her work produced by the Detroit Public Theater, which is filling a gap in a city whose professional theater consists largely of touring Broadway shows. Company co-founder Courtney Burkett says that DPT “could not have existed 10 years ago. Now that the city’s stabilizing and even thriving in so many ways, our artists are also thriving and getting the attention they always deserved.”