Hollywood’s Lolita Complex: Molly Haskell Asks If Time’s Finally Up

“Nymphetmania has a long and hoary pedigree in Hollywood, and flourished years before Nabokov gave us the Lolita syndrome” – from DW Griffith’s child-woman ingénues such as Lillian Gish and Mae Marsh through Taxi Driver and Pretty Baby right up to late Woody Allen. “It is no longer possible to rationalise as consensual certain egregious pairings, or to accept with equanimity the sexualisation of underage performers. We have begun to take a second look at the smarmy overtones of movies such as Allen’s Manhattan and Louis CK’s now-shelved I Love You, Daddy, in which ‘protective’ older men ogle daughter figures in utterly self-serving ways.”

New York City Ballet’s Investigation Finds Peter Martins Accusations ‘Not Corroborated’

The inquiry, done by attorneys hired by the company and its school, into allegations of sexual harassment, bullying, and physical abuse that led the longtime chief of City Ballet to retire reportedly found no verification for the accusations. However, several former dancers, including some interviewed by the attorneys, argue that the entire exercise was meant more to “whitewash” the case than to find the truth.

Ai Weiwei Writes About The Artwork That Made Him ‘The Most Dangerous Man In China’

The piece, called Remembering, was a response to the 2008 Sichuan earthquake and the thousands of children who died in it because their shoddily built government schools collapsed on top of them. “The kind of authoritarian state we have in China cannot survive if it answers questions – if the truth is revealed, they are finished. So they started to think of me as the most dangerous person in China.”

Activists Use ‘Three Billboards’ Protest To Press London Authorities On Grenfell Tower Fire

In what seems to be the first, and surely won’t be the last, incidence of life imitating this particular piece of art, “members of the Justice 4 Grenfell group paraded billboards emblazoned with the words ’71 dead’, ‘And still no arrests?’, ‘How Come?’ around central London locations in an attempt to keep victims of last June’s tower block blaze ‘in the national conscience’.”