Anime Director Isao Takahata, Co-Founder Of Sutdio Ghibli, Dead At 82

“He is probably best known for his first film at Ghibli, the critically acclaimed Grave of the Fireflies (1988), a tale of two children struggling to survive at the end of World War II. Takahata himself survived heavy U.S. bombing of Okayama City when he was 9 years old. … The Tale of the Princess Kaguya, Takahata’s fifth and final for Ghibli, was one of the most expensive Japanese films made, anime or live-action, with a budget of around $50 million.”

Top Posts From AJBlogs 04.05.18

Historically informed performance: How does it translate into the real world?
Are we there yet? That classic question that comes with long-delayed arrival was inevitable after a weekend packed with early-music concerts in New York … read more
AJBlog: Condemned to Music Published 2018-04-05

Deaccession Dejection: Court Allows Berkshire Museum Sales
Justice David Lowy of Massachusetts Supreme Judicial Court has just handed down a lamentable decision that rubber-stamps the devil’s bargain between the Attorney General and the trustees of the Berkshire Museum … read more
AJBlog: CultureGrrl Published 2018-04-05

Bill Kirchner: Two Views
Composer, saxophonist, bandleader and author Bill Kirchner is the subject of two new articles that recognize his decades of creativity. … read more
AJBlog: RiffTides Published 2018-04-05

 

How Orchestras Can Make Their Programming More Diverse

Derek Bermel, artistic director of the American Composers Orchestra: “I’ve spoken to several artistic administrators and conductors who insist that their audiences aren’t asking for more of the new; their internal research shows that their audience wants to hear what they already know. When I hear that argument, I think, ‘Well, of course! Audiences haven’t experienced what they don’t know, so how could they possibly be clamoring for it?’ One of the responsibilities of curators is to introduce the public to work they didn’t know existed or to help bring it into being. Five years ago, how many regular music theater patrons were yearning to see a hip-hop musical? We all know that answer: very, very few. Today it’s impossible to get tickets for Hamilton. Some of that audience is coming from outside the typical music theater audience; all the better!”

Even After 326 Years, No One Is Sure What To Make Of Velázquez’s ‘Las Meninas’

“An enigmatic group portrait of sorts, Las Meninas is populated by an odd cast of characters, including a princess, a nun, a dwarf, and the Baroque artist himself. A stark divergence from traditional royal portraiture, many have likened the painting to a snapshot, in the sense that it packs in a wealth of action. At the same time, close examination reveals that it doesn’t seem to follow the rules of perspective. Without clear evidence of the artist’s intentions or the wishes of his patron, viewers and historians alike are mostly left with theories and unanswerable questions. … Below, we break down what we do (and don’t) know about this inscrutable Spanish masterpiece.”

How Women See How Male Authors See Them

“The canon is lousy with authors who yearn to be admired for their sensitivity to the full range of female personhood, be that personhood luscious, pert, or swelling coyly against a sheer camisole. These are writerly men confident that they’ve nailed women’s psyches, all because of how single-mindedly they want to nail women.” Katy Waldman calls out “the ridiculousness that ensues when bookish men perform interest in women’s inner lives out of a misbegotten sense of nobility. No one is fooled. “