Dance Critic Judith Mackrell Is Leaving The Guardian; Lyndsey Winship Steps In

Mackrell: “Dance has been so very generous to me as a writer, and The Guardian such a fantastic platform, that I feel I’m walking away from my own dream job. But I’ve been doing it for 32 years (nine of them at The Independent before I joined The Guardian) and if it’s time for me to focus on other projects it’s also time to hand the mic to another voice.”

Arts Philanthropy In Miami Is Finally Taking Flight

“A dedicated group of snowbirds invested in some cultural enrichment for the city in the 1980s, marking a wave of new institutions that began to pop up in Miami.” Now, a dozen years after the 2006 opening of what is now the Adrienne Arsht Center for the Performing Arts (and its rescue from disaster by Arsht two years later), “there is more diversity across Miami’s nonprofit disciplines than ever.”

We Need To Bring Opera Back To ‘Its Essential Simplicity’: Conductor Mark Wigglesworth

“When people say that opera is not for them, I think – more often than not – they mean that going to the opera is not for them,” writes the former music director of English National Opera. “Or at least what they perceive the experience of going to the opera to be. I don’t believe the art form is the problem. But many find it hard to imagine opera away from the expensive, exclusive and entitled associations attached to it. That’s understandable. For at some point the reputation of opera became separated from its actual performance. The evening parted company with the event.”

Does This Small Country Have The World’s Most Radical Libraries?

“As well as pushing the envelope in regard to architectural skill and style, Finnish libraries have an impressive record of being at the forefront of cultural progress and new thinking. Some of the first maker libraries (spaces where the public can borrow equipment and tools), for example, were founded in Finland, and today, some facilities offer the use of high-tech equipment such as 3-D printers and musical equipment free of charge.”

Top Posts From AJBlogs 05.30.18

The pyramid and the wheel
There are countless ways to categorize collective human action (by legal entity, by sector, by formal/informal structure, by tax status, by geography, and on and on). But sociologist/political-scientist/historian Johan Galtung suggests there are essentially two … read more
AJBlog: The Artful Manager Published 2018-05-30

Recent Listening, In Brief
Keeping up with the ceaseless flow of jazz albums is impossible, but it’s a pleasure to try. Here are short reviews of a few relatively recent releases. … read more
AJBlog: RiffTides Published 2018-05-30

A Brief History Of Ink

“Although historically ubiquitous and seemingly omnipresent, ink is anything but simple. … On a basic material level, inks consist of two components: colour and a way for that colour to attach itself to its intended surface, be it papyrus, parchment or paper. But the way that those elements combine, and the ingredients used to make them, offer a variety of permutations, proving ink to be one of the most curious and complex objects in human history.” Lydia Pine chooses half a dozen different inks from across the centuries to tell the story.

The Invention Of The Mid-Life Crisis

“The midlife crisis was invented in London in 1957. That’s when a 40-year-old Canadian named Elliott Jaques stood before a meeting of the British Psycho-Analytical Society and read aloud from a paper he’d written. Addressing about a hundred attendees, Jaques claimed that people in their mid-30s typically experience a depressive period lasting several years. … In ordinary people symptoms could include religious awakenings, promiscuity, a sudden inability to enjoy life, ‘hypochondriacal concern over health and appearance,’ and ‘compulsive attempts’ to remain young.”

Magazine Puff Pieces Aren’t ‘Puff’ Anymore – Now They’re ‘Power Pieces’

“One hundred years after the puff piece floated into our consciousness, it is being swept aside by a new kind of celebrity profile, developed within a newly engaged culture. It may be no less calculating than its predecessor, but its purpose is the opposite. Rather than meaning nothing, it means everything. The power piece positions itself as the celebrity profile as activism, and sometimes it even succeeds.”