Vladimir Voinovich, Satirical Author And Pre- And Post-Soviet Dissident, Dead At 85

“[In the 1970s, he] had been blacklisted after criticizing state censorship and defending dissidents such as novelist Aleksandr Solzhenitsyn and physicist Andrei Sakharov. … Through his subsequent exile in West Germany and the United States, his return to the Soviet Union under Mikhail Gorbachev’s liberalization policy of glasnost, and the rise of President Vladi¬mir Putin, Mr. Voinovich remained one of Russia’s most mordant critics of authoritarianism and bureaucratic corruption.”

Royal Concertgebouw Orchestra Fires Conductor Daniele Gatti

In a statement announcing the dismissal, the orchestra’s management said, “Since the publication of the article in The Washington Post, a number of female colleagues of the Royal Concertgebouw Orchestra reported experiences with Gatti, which are inappropriate considering his position as chief conductor … [The accusations have] irreparably damaged the relationship of trust between the orchestra and the chief conductor.”

Here’s Provocative Art That Really Provokes, And How Two Museums Are Handling It (Carefully)

At the University of Kansas’s Spencer Museum, one of the 16 flags in the project “Pledges of Allegiance” drew enough anger that the university president ordered it taken off the flagpole. The Blanton Museum at the University of Texas at Austin is displaying The City, Vincent Valdez’s life-size painting of a modern-day Ku Klux Klan meeting. Both museums expected controversy; Claire Hansen reports on how they prepared.

Jewish Simcha: Acquisition of Early, Rare Hebrew Bible Celebrated by the Getty

In last month’s announcement of its recently purchased “Rothschild Pentateuch,” the Getty Museum hyped this monumental volume (1,180 folios, of which some 150 are decorated), as “the most spectacular medieval Hebrew manuscript to become available in more than a century.”
The lavishly, fancifully decorated pages easily live up to their billing as “spectacular.”

For Nico, Being An Icon Was A Problem

Michael LaPointe: “When she sang ‘I’ll Be Your Mirror’ in 1966, she wasn’t asking to become a permanent surface for our collective reflections. … Today she is best known for the songs she came to loathe. Of course, they’re also her catchiest, but I wonder if her artistic mission — a mission of destruction — is simply incompatible with any of the images we’ve made of her. We construct icons, but Nico was an iconoclast.”