The Most Underrated Composer In History? Reconsidering Nikolai Rimsky-Korsakov

“If your reaction to hearing the name Nikolai Rimsky-Korsakov is a shrug, even a smirk, you’re not alone.” Corinna da Fonseca-Wollheim visits the Bard Music Festival, dedicated to the man Richard Taruskin calls, yes, “the most underrated composer in history.” Responds CdFW, “I can’t say that’s a judgment I quite came to share … But I left Bard with a newfound appreciation for a quality I had never before considered as a factor in music: shame.”

Aretha Franklin Dead At 76

“Dubbed the Queen of Soul in 1967, Franklin loomed over culture in several monumental ways. The daughter of a preacher man, she was born with one of pop’s most commanding and singular voices, one that could move from a sly, seductive purr to a commanding gospel roar. … For more than five decades, [she] was a singular presence in pop music, a symbol of strength, women’s liberation and the civil rights movement.”

‘With Great Beauty Comes Great Resentment’ – The History Of Helen Of Troy

“Of all Helen’s roles in the literary and artistic corpus (and it is a long career – she has been forgotten by not a single generation since she entered the written record 2,700 years ago), it is her part as fantasy whore that has been most tenacious. Her many sexual partners … are trotted out by ancient and modern authors alike as the gossip columns would the client-list of a high-class prostitute. And so Euripides calls her a ‘bitch-whore’; she is Shakespeare’s ‘strumpet’.”

Could Audiences Really Replace Theater Critics As They Disappear? Here’s The Problem With That

Responding to Lyn Gardner’s recent column arguing for “a new approach to theatre criticism, in which theatres see developing critical voices as part of audience and artist development,” Bill Marx writes that what Gardner seems to be suggesting is both vague and, well, unlikely: “Is the money invested in theater development these days dedicated to making stage audiences more ‘critical’? Are there any plans for ‘creative power sharing’ with spectators? From what I can tell, … the goal is to buff up [theaters’] business plans and marketing efforts, not to encourage the development of ‘critical’ audiences.”

After 24 Years, San Francisco’s Smuin Ballet Finally Buys Itself A Building

“Eleven years after the fatal collapse of the choreographer, which many assumed would also be the collapse of his company, Smuin finally has its home, in a 1949 warehouse next to the old freight line on Potrero Hill.” Says one company exec, “For the first time ever, we will control the schedule, which will allow us to rehearse for as long as we need.”

Facebook Changed The Way Articles Are Written. Now Articles Are Changing Back, Thank God

“Facebook’s rising dominance as a referrer led to … content that was optimized for social media. … The problem with social-optimized content is that its overt, eerie familiarity drapes a kind of lowest-common-denominator cynicism across the internet … [and favors] exaggeration over subtlety. … SEO content, on the other hand, dispenses with the emotional in favor of the mechanical. It can be stilted and awkward — but it’s more honest and transparent.”