Philosophy professor Neal Tognazzini: “I think there’s something distinctively valuable about allowing many aspects of your life — even the very fact of your life — to recede into the background, into a unconscious mental box we might label ‘presuppositions.’ I would go so far as to say that these presuppositions are what enable you to live a life at all.”
Author: Matthew Westphal
Superlative Numbers At the Met. But Crazy Ones Too
Last week, the Metropolitan Museum of Art issued a press release saying it had welcomed its one-millionth visitor to its special Costume Institute exhibition, Heavenly Bodies: Fashion and the Catholic Imagination. Really? Truth is, we can’t be sure of that. Because of the complex installation, actual numbers are nearly impossible to compute.
Monday Recommendation: Luciana Souza
Luciana Souza, The Book Of Longing (Sunnyside)
Returning to recording, Luciana Souza is inspired by poetry. The Book Of Longing finds her drawing inspiration from poets of two centuries …
Secrets And Lies At The Heart Of Anton Chekhov’s Marriage
In May 1901, the great playwright married actress Olga Knipper – much to the dismay and confusion of his family and friends, who knew him to be a compulsive womanizer. Less than a year later, Knipper became severely ill and had to terminate a pregnancy. It turns out, as biographer Donald Rayfield has discovered, that the child could not have been Chekhov’s, and he almost certainly knew it.
Amazon Tries A Move Into Live Sports Broadcasting
“Amazon has pulled out all the stops to make its $40m (£34m) bet on the UK rights to the US Open – setting up a studio at Flushing Meadows and drafting in former players including Jim Courier, Greg Rusedski, Annabel Croft and Mark Petchey, as the company looks to prove it can match traditional broadcasters and become a credible home for live sport.”
Watch A Real Urban Planner Play ‘SimCity’
“SimCity is one of the greatest video game franchises of all time, if only because it demonstrates something important: Designing a city from scratch is very hard, and it’s impossible to make everyone happy all the time. That’s even more evident thanks to UC Berkeley PhD student Dave Amos, who studies urban planning and whose commentary on the game offers a hilarious criticism of both game design and planning bureaucracy.”
Has Playwright Domonique Morisseau Had A Meteoric Rise? No – She’s Been Around A While
“A respected playwright for years, she is now a name playwright, a rising star. She ranked No. 5 on American Theatre‘s list of the 20 most-produced playwrights of 2017-18 — one spot above Arthur Miller … [and] Broadway is likely next.”
I Avoid Rereading My Old Books, But When One Was Made Into A Movie, I Had To
Meg Wolitzer: “As a rule, I rarely reread my own old writing, but instead I tend to ignore it, much the way someone might sidestep an old flame seen on the street years or even decades after a relationship has ended.” But with the film version of The Wife coming out – and already generating Oscar buzz – Wolitzer realized that she’d have to revisit the book in order to do press interviews. Here’s how she experienced the process.
An Enormous, Thrilling New Art Museum Opens Under An Old Bus Station Parking Lot
“Bulging white mounds rear up out of the ground in the middle of Helsinki, tapering to circular windows that point like cyclopean eyes around the square. Children scramble up the steep slopes while a skateboarder attempts to glide down one, past a couple posing for a selfie at the summit.” Oliver Wainwright visits the new Amos Rex museum in the Finnish capital.
Helpful Hints For Classical Musicians To Keep Press Interviews From Going Bad
It takes serious, intense study to become a professional classical musician – but that study doesn’t usually include media training. And being able to communicate with the press is important: the days of the genius artiste who can get away with doing publicity poorly or not at all are over, and a media misstep can be disastrous for a career. Writer Anya Wassenberg gets some experienced publicists to offer counsel.
