‘Les Troyens’ Starring Joyce DiDonato Is Gramophone’s Record Of The Year; Seattle Symphony Is Orchestra Of The Year

The Erato recording of Berlioz’s opera, co-starring Marie-Nicole Lemieux, Stéphane Degout and Michael Spyres with John Nelson conducting the Strasbourg Philharmonic, won the magazine’s top award. Orchestra of the Year, won by the Seattle Symphony, is a new prize chosen by public online vote. Conductor Neeme Järvi received a Lifetime Achievement Award. Baroque violinist Rachel Podger was named Artist of the Year.

20 Colleagues Accuse One Of Europe’s Leading Avant-Garde Theatremakers Of Bullying And Sexual Misconduct

Jan Fabre, known for his 24-hour stage marathon Mount Olympus, has been accused – in an open letter by 20 employees and interns at his Antwerp-based stage company Troubleyn – of “humiliation, intimidation and semi-secret photographic activities” as well as trying to extort sexual favors from dancers and offering them jobs or money afterward to keep quiet.

How A French Grand Opera About A Rebellion In Naples Sparked A Revolution In Brussels

“Indeed, the musical performance had invigorated the crowd. The audience passionately chanted patriotic slogans, stormed into government buildings, and began destroying factory machinery. Within days, they were flying the flag of Independent Belgium, which was tied to a standard with shoelaces.” Lucas Reilly recounts the story of William I of the United Kingdom of the Netherlands, Daniel Auber’s La Muette de Portici, and the Belgian Revolution of 1830.

What Are Orchestral Musicians For?

Years ago, before I was shown the door, I briefly taught at the Manhattan School of Music within their graduate program for aspirant orchestral musicians. My intention was to impart some knowledge about the history of the orchestra in order to shed light on the decline of orchestras and of orchestral performance – and to suggest that young musicians might be able contribute constructively.

Recent Listening: Reuel Lubag Trio

The Pacific Northwest is home to a dozens of superior jazz musicians. By no means are all of them of them in Seattle and Portland, the attention-getting large cities of western Washington and Oregon. Dozens manage to find work playing in Spokane, Eugene, Bend, Yakima — and increasingly in the region’s burgeoning winery tasting rooms and restaurants.

The Joy Of Ugly, Kitschy, Weird-Ass Design

“Since the dawn of the twentieth century, our understanding of good design has had a slightly moralizing tone, even as it shifted from early Bauhaus to boxy midcentury modern and into the sleek … white cubes of twenty-first-century Minimalism. … Ugliness isn’t just a rebellion against the norms of good taste; it’s also a fittingly chaotic aesthetic for a chaotic era of presidential tweets, alternative facts, and government propaganda.”

Personality Tests: Why Humans Keep Devising Them, And Whether They’re Actually Useful

“In this installment of our ‘Annals of Obsession’ video series, we dive into the history and validity of personality assessments, from the less-known measures used by psychologists to … the ever-popular Myers-Briggs, created by a mother-daughter duo without any experimental training. Do these measures … tell us anything real about ourselves? And what is it about the human mind that leads us to keep seeking them out, in era after era and society after society, endlessly striving to organize the people around us into ‘types’ that may, or so we hope, help explain them all?” (video)

How’s A Dancer To Handle It When The Company Suddenly Gets A New Artistic Director? Like This

“It’s understandable to experience feelings of shock, fear and even abandonment if your director leaves. It’s not just that you’ll have a new boss — a shift at the top can have a domino effect on casting, programming, rehearsal structure and branding. Here’s how to forge a relationship with your new director and take advantage of the opportunities that come from having fresh eyes on your dancing.”

Viola Davis’s Great Challenge (And Why She Regrets Doing ‘The Help’)

“The responsibility of feeling like I am the great black female hope for women of color has been a real professional challenge. Being that role model and picking up that baton when you’re struggling in your own life has been difficult.” This ties in with what she regrets about The Help (which she found a wonderful experience personally): “I just felt that at the end of the day that it wasn’t the voices of the maids that were heard. I know Aibileen. I know Minny. They’re my grandma. They’re my mom.”