Highbrow Lit Has Been Possessed By Ghost Stories

“Literature — the top-shelf, award-winning stuff — is positively ectoplasmic these days, crawling with hauntings, haints and wraiths of every stripe and disposition. These ghosts can be nosy and lubricious, as in George Saunders’s Lincoln in the Bardo … [or] confused by their fates, as in Martin Riker’s new novel, Samuel Johnson’s Eternal Return … They terrify, instruct and enchant — sometimes all in the same book.” For instance, Lauren Groff’s Florida, Viet Thanh Nguyen’s The Refugees, Angela Flournoy’s The Turner House, Hari Kunzru’s White Tears, and Jesmyn Ward’s Sing, Unburied, Sing. Parul Sehgal looks at the genre’s hold on writers and readers alike.

Trifonov, Wolfe, Costanzo, JACK Quartet Win Musical America’s Awards For 2019

The 27-year-old pianist Daniil Trifonov was named Artist of the Year, while Julia Wolfe took Composer of the Year honors. Carlos Miguel Prieto, music director of the Louisiana Philharmonic, the National Symphony Orchestra of Mexico, and the DC-based Orchestra of the Americas, is Conductor of the Year. Vocalist of the Year is countertenor Anthony Roth Costanzo, and the JACK Quartet is Ensemble of the Year.

Why Are We Only Now Seeing Orson Welles’s Last Film? Because The Process Of Making It Was Utterly Insane

Six years of shooting in dozens of locations, famous film auteurs playing versions of themselves, the cast and crew posing as film students to get a cheap rental rate for the MGM backlot (they smuggled Welles in a van), half a dozen or so different kinds of film stock — and that’s only the beginning of the story.