Robert Rainwater, Influential Curator Of New York Public Library’s Art Holdings, Dead At 75

“Throughout his 37-year career at the library — including two decades as the first chief librarian of the Wallach Division, which combined the library’s vast holdings in art, prints and photographs — Mr. Rainwater … oversaw a vast expansion of the [library’s] holdings in modern and contemporary prints, artist-made books and printed ephemera from the 1970s onward.” — New York Times

Tumblr’s Porn Ban ‘Isn’t Just A Blunt Solution, It’s Counterproductive’

Comparing the platform’s decision to “hammering a nail with a skyscraper, only to have it slip through an open window,” April Glaser argues that “what banning ‘adult content’ will do, however, is eradicate one of the few mainstream, safe, and non-taboo places where people could participate in communities that openly congregate around sex and sexuality.” — Slate

Killing Your Darlings: How Playwrights Decide When To Cut Passages They Love

“As novelist William Faulkner said about writing, but is applicable to all creative endeavours: ‘You must kill all your darlings.’ That said, killing your darlings can be really painful because you love them so dearly.” Lyn Gardner talks to theatre folk who’ve had to do it about why and how. (One groused, “I wonder if auteur directors are asked to kill their darlings. Does anyone ever say to Ivo van Hove: ‘Could you just cut 10 minutes?'”) — The Stage

Albert Einstein’s ‘God Letter’ Sells For $3 Million At Auction

“The one-and-a-half-page letter, written in 1954 in German and addressed to the philosopher Eric Gutkind, contains reflections on God, the Bible and Judaism. Einstein says: ‘The word God is for me nothing more than the expression and product of human weaknesses, the Bible a collection of honourable, but still primitive, legends which are nevertheless pretty childish.'” (Even so, Einstein maintained that he was not an atheist.) — The Guardian

This Man Has Choreographed Four Different Nutcrackers (And Danced In Two Others)

Val Caniparoli has created different versions of the piece for the Cincinnati, Louisville, Grand Rapids, and Royal New Zealand Ballets, and at San Francisco Ballet he’s danced the settings by Lew Christensen and Helgi Tomasson. He talks to Avichai Scher about how he keeps them all straight in his head and different on the stage. — Dance Magazine