How Bach’s ‘Brandenburg’ Concertos Upend The Social Order

Bach scholar Michael Marissen observes that, throughout the set, the composer has solo instruments do things that, in the accepted order of things at the time, those instruments simply didn’t do. (Marrissen couches the argument in Christian terms — “the lowly shall be exalted while the exalted shall be brought low” — which is almost always a safe approach with J.S. Bach.) — The New York Times

Tania Bruguera, Just Out Of Prison, Files Defamation Lawsuit Against Cuban Government

“Tired of suffering defamations in state media publications such as Granma newspaper … as well as official websites from the Ministry of Culture,” said the artist-activist in a statement, “I have decided to legally act against parties who have damaged myself and my family, psychologically, socially, and professionally.” — Artnet

Krampus The Christmas Demon Joins The 21st Century

The half-goat-half-devil has been St. Nicholas’s sidekick and enforcer for hundreds of years, warning little Austrian children that they’d better not be naughty. Traditionally he’d only appear once a year and his mask and costume would be more-or-less homemade, but today’s masks have things like glowing LED eyes, and there are Krampus shows with heavy-metal accompaniment that “feels like a rock concert mixed with a rodeo.” — Public Radio International

Inside The Lives Of Understudies

They get less rehearsal than the principal cast, they have to keep the lines and (crucially) the blocking straight in their minds while rarely getting the chance to use them, and they’re pinned down to one place for all of a show’s run. But even without star-is-born moments, the job is a terrific opportunity for actors fresh out of school to launch careers. Young reporter Zoe Grossinger talks with some Philadelphia actors who are living the understudy life. — The Philadelphia Inquirer

New York Times Book Review Editor Responds To Controversy Over Alice Waters’s Book Recommendation

In response to reader queries, Pamela Paul explains why Alice Walker was chosen for the “By the Book” Q&A feature, how the interview was conducted, and why the published feature didn’t include any explanation or context for Walker’s citation of a book and author widely seen as anti-Semitic. — The New York Times