A Year After The Emmett Till-Whitney Biennial Furor, Dana Schutz Is Back At Work

“Now, Ms. Schutz admits that she is ‘guarded’ about the controversy …, saying only that [painting Open Casket] was an attempt to ‘register this monstrous act and this tragic loss.’ But she acknowledged that may have been an ‘impossible’ task.” Even so, she doesn’t regret having painted the piece or the subsequent conflict: “It’s good those voices were heard.'” — The New York Times

Was Modernist English Literature Deliberately Written To Keep The Riff-Raff Away?

Yes, argues scholar Jonathan Rose. “The intelligentsia was driven to create literary modernism by a profound loathing of ordinary common readers. The intellectuals feared the masses not because they were illiterate but because, by the early twentieth century, they were becoming more literate, thanks to public education, adult education, scholarships, and cheap editions of the great books.” — JSTOR Daily

Oscars Will Go On Without A Host This Year: Report

“As it stands, no new offers are out, nor are any expected to be made to a single potential host to fill the void left by [the] Kevin Hart [debacle]. … [Instead,] producers will select a crop of A-listers to introduce various segments instead of relying on one marquee name to kick things off in a monologue filled with Trump zingers, said the insiders.” — Variety

That 17th-Century Viol That Alitalia Smashed Up Last Year Is Restored And Back In Action

The destruction wrought on Myrna Herzog’s 1661 Edward Lewis bass viola da gamba by the Italian airline during Herzog’s trip from Rio de Janeiro to Tel Aviv last January made headlines internationally. Fortunately, Alitalia readily agreed to pay for restoration, and after a year’s worth of work by luthier Shlomo Moyal, the instrument is repaired and ready for performance. — Classic FM (UK)

Arms Manufacturer Shamed Out Of Sponsoring Museum Shows Changes Its Name To Leonardo

Jeez, talk about artwashing. A string of PR disasters, including demonstrations against Britain’s National Gallery of Art for accepting sponsorships, led the Italian defense company Finmeccanica to rename itself after the Renaissance genius (who did, after all, design weapons and war machines). But the tactic hasn’t entirely worked: just last summer, the Design Museum in London came under fire (ahem) for hosting a reception for the company, despite the new name. — Artnet