Karole Armitage: “Merce did not talk to anyone, ever. He gave no corrections, no communication.” Michael Cole: “He never admonished anybody. … We rehearsed completely in silence.” Valda Setterfield: “He always said: ‘I don’t tell people what to do. If they don’t ask me questions, they’re not ready to hear the answer.'” – The Guardian
Author: Matthew Westphal
The Real Prizes In This Ballet Competition Aren’t The Awards
At the Youth America Grand Prix, says founder/artistic director Larissa Saveliev, “You don’t have to win to get the prize. The real prizes are the scholarships. And for those, you just have to be noticed by one director. We are the biggest matchmaker operation in the ballet world.” – The New York Times
Here’s What’s Happened To The Art, Artifacts, And Organ Inside Nôtre-Dame
So far, it appears that almost all of the major art objects and relics in the cathedral were saved, thanks to a human chain formed during the fire; most will be taken to the Louvre for conservation and storage. Amazingly, neither the stained-glass windows nor the grand organ appear to have suffered severe damage. – Smithsonian Magazine
In Britain, Arts Now Contribute More To GDP Than Agriculture: Report
Research from Arts Council England shows that, in 2016, the arts sector added £10.8 billion to the UK economy, more than farming did. (A similar result in the US was reported last month.) And this happened even as three-quarters of arts organizations were suffering from cuts in government funding. – The Guardian
Is The French Church Or The French State Responsible For Historic Sites Like Nôtre-Dame? Well, That’s The Problem …
In a newly relevant article brought back from the archives, Jerome Bernard explains that this question has been argued over ever since France legally separated church and state in 1905 — and that dispute is why places like Nôtre-Dame-de-Paris have been allowed to deteriorate so badly. – The Art Newspaper
New Russian Film About USSR In Afghanistan Infuriates Politicians And Vets
Pavel Lungin’s Leaving Afghanistan (Russian title Bratstvo, meaning Brotherhood), based on the real-life experience of an officer who went on to become the head of the FSB (the successor to the KGB), is said by its director to be about “the senselessness and cruelty of war.” The head of one veterans’ organization calls it “dirt and filth” and a senior member of parliament says it’s unfit for “educating young people with a sense of patriotism.” – The Guardian
Barbara Schultz, TV Exec Who Stood Up For Serious Drama When Rest Of Industry Wanted Comedy, Dead At 92
“One of a very few women in television’s executive ranks at the time, [she] oversaw CBS Playhouse in the late 1960s and the PBS series Visions in the 1970s, … offer[ing] writers a platform free from interference by corporate sponsors in exchange for stories that explored contemporary American themes.” – The New York Times
English National Opera Artistic Director Daniel Kramer Resigns
The American theatre director, now 42, had never run an organization when he took the helm at the then-troubled ENO in 2016. Things appear to have stabilized at the company financially and administratively, but the company’s productions are considered to have veered wildly between brilliant successes and painful disasters — so many are wondering if Kramer’s departure is voluntary. – The Guardian
Donald Trump Meeting Mao Zedong Could Be The Salvation Of Cantonese Opera
Wait, what? Yes, a new work in the traditional Cantonese opera format shows a young Donald Trump meeting the Chairman on a trip to China in 1972. The hope is that this piece, titled Trump on Show, could show younger Hong Kong audiences that their traditional music-theater isn’t just a historical curiosity. – Quartz
The Fyre Festival Of Broadway Shows: How The Steve Jobs-Bill Gates Musical Became An Epic Disaster
“The planned 2016 production Nerds has become one of the biggest debacles in New York theater history, spawning a $6 million lawsuit and leaving at least one castmember feeling ‘stranded’ by the experience.” – The Hollywood Reporter
