“Supreme Court Justice Clarence Thomas hasn’t visited the National Museum of African American History and Culture, but he cited one of its exhibits last week to explain how Washington’s rumor mill works.” But, rather than explaining it, Thomas exemplified it. Peggy McGlone reports. – The Washington Post
Author: Matthew Westphal
Mexican Government Calls Out Fashion Designer For Cultural Appropriation, Calls For U.N. Involvement (?!)
Alejandra Frausto, Mexico’s secretary for culture, wrote an official letter to designer Carolina Herrera and her creative director, Wes Gordon, about a recent Herrera collection that Frausto described as “plagiarism”: “This is a matter of ethical consideration that obliges us to speak out and bring an urgent issue to the UN’s sustainable development agenda: promoting inclusion and making those who are invisible visible.” – The Daily Beast
Why Is Google Street View Blurring The Faces On Philadelphia’s Murals?
“Of a random sampling of 30 Philly murals that included people, about three-quarters had some degree of facial blurring applied in Street View.” Why? According to a Google spokesperson, the technology that blurs the faces of actual people in Street View images “may be a little overzealous, likely because some of the faces appeared so life-like.” – The Philadelphia Inquirer
A Choir For The Homeless Changes Lives In Rio De Janeiro
Streetwise Opera, the British company for people struggling with homelessness, founded the choir Uma Só Voz/With One Voice for the 2016 Olympics, and the city has kept it going. Two AFP reporters talk with members of the choir about what singing with the group has done for their lives. – Yahoo! (AFP)
Plagued By Construction Problems And Controversy, Berlin’s Humboldt Forum Postpones Opening
“The museum, one of Europe’s most ambitious and expensive current cultural projects, has been burdened … by accusations from academics and activists that it hasn’t done enough to determine the provenance of its objects that were acquired during the colonial era or to address whether it is appropriate to hold onto them. The opening of the permanent exhibition had already been delayed to 2020; the Forum was slated to open in stages, beginning with a temporary exhibition of ivory objects in November.” – The New York Times
Huge Number Of Works In East Germany’s Museums Were Stolen From Citizens: Report
“Starting in 1945, East German art owners fell victim to an array of inventive methods of expropriation. … In each of the four collections [studied], between 200 and 1,500 objects were discovered to have provenances suggesting they were unethically acquired, accounting for between 1% and 8% of their total inventories.” – The Art Newspaper
Thirty Years Ago, The Corcoran Canceled A Mapplethorpe Exhibit, Setting Off Washington’s First Big Battle In The Culture Wars. Now The Corcoran Has A Show About That Cancellation
Few of the people involved in the controversy at the time imagined that the culture wars would still be raging three decades later. Kriston Capps reconsiders that battle and the way museums have addressed the wider issues, then and now. – The Washington Post
Calder & Noguchi Air Balls: SFMOMA Lobs Some Foul Shots for the Golden State Warriors
Having controversially deaccessioned a classic Rothko (given to it by the artist himself) in order to fund future acquisitions, the San Francisco Museum of Modern Art is now raiding its collection for another dubious purpose — adorning a new for-profit sports arena. – Lee Rosenbaum
Eye On San Diego – For Art!
San Diego is not only the eighth largest U.S. city by population, but also among the fastest-growing. And it has a lot to offer in art — and if the current exhibit at the San Diego Museum of Art is any indication, it has great ambitions, too. – Judith H. Dobrzynski
Samantha Boshnack’s ‘Seismic Belt’
During her years in Seattle, trumpeter Samantha Boshnack has become intrigued not only with volcanoes but with the overall seismic behavior that continues to be a major and often disruptive aspect of life on Earth. Seismic Belt combines her musical and scientific interests in a powerful work of chamber music. – Doug Ramsey
