In L.A., Even Renaissance Paintings Go Into Rehab

After a stint in the Getty Museum’s conservation labs, Francisco de Zurbarán’s 1633 Still Life with Lemons, Oranges and a Rose “is even more astounding than before: Surface textures emerged from beneath varnish, slight compositional alterations made the display of fruits and vessels more weighty, newly revealed details directed the eye in surprising ways, spatial relations were brought into a new light.”

Christian Bale’s On-Set Tantrum: The Dance Remix

Audio of the actor’s rant on the set of Terminator: Salvation last summer has been flying all over the blogosphere this week. Within 24 hours, “Urban Dictionary had coined the term ‘bale-out,’ Jimmy Kimmel had taped a parody version for his show, and there appeared a club remix of the rant by L.A. knob-twiddler RevoLucian.” (How long until we get the ringtone?)

William Friedkin Pulls Out Of La Scala’s Inconvenient Truth

The filmmaker-turned-opera-director has withdrawn from the Al-Gore-slideshow-turned-hit-movie-turned-opera over “irreconcilable creative differences” with librettist J.D. McClatchy. But composer Giorgio Battistelli claims that Friedkin’s reasons are “personal, not artistic” and complains that the director cared more about special effects than the piece’s message.