Next Season, Kennedy Center Will Explore A Different Kind Of Territory

“Instead of focusing on another country, the major festival at the Kennedy Center next year will focus on another landscape: the terrain inhabited by artists with various disabilities, from deafness to diabetes, around the world.” Other 2009-10 season highlights include visits from the Mariinsky and the Bolshoi, Cate Blanchett as Blanche in Streetcar, Jennifer Higdon’s new piano concerto, and festivals of “Ballet Across America” and “Gospel Across America.”

You’ll Love This Schoenberg – Or Your Money Back!

“Tonight the Philharmonia Orchestra is performing Schoenberg’s vast, gorgeously late-romantic Gurrelieder, complete with six soloists, chorus and speaker, at Birmingham Symphony Hall. On the website it announces ‘Satisfaction Guaranteed or Your Money Back.’ We are so confident that you will enjoy this wonderful concert, that we will give you your money back if you don’t!'”

But She’s Grateful For the Bad Reviews This One Got

“Oscar-winning French actor Juliette Binoche said Tuesday she welcomed the critical mauling her new dance performance received when it opened in London, as it sparked improvements in the show […] and the effort had resulted in glowing reviews in Paris, Montreal and Sydney when it toured.” The piece, titled In-I, runs this month in Hong Kong, Shanghai, Tokyo and Seoul.

Gangsta Art: Paintings By The Kray Twins Sell For £17K

“Nine artworks painted by the Kray twins in prison have been sold for a total of £17,125 – triple their estimate. Ronnie and Reggie Kray, who ran a gang in London’s East End in the 1950s and 1960s, were both jailed for life for murder in 1969. The works were painted during the 1970s when the pair were in Parkhurst Prison on the Isle Of Wight.”

Doctor Atomic, Not Quite So Much

John Adams’s opera is having its UK premiere at ENO, and the London critics, like many of their American colleagues, find fault with Peter Sellars’s libretto. Rupert Christiansen puts it most starkly: “[It] makes for a peculiarly inert plot, with all the corny ‘countdown’ tension of a rotten episode of Star Trek… and dramatis personae who remain flat figures, lumbered with unshaped words that they seem to recite rather than embody.” Not all critics agree on how much this problem matters, though, and they mostly like Adams’s score.