Hulu’s Success May Be Causing It Problems

In January, Hulu decided, under network pressure, to stop carrying all but the five most recent episodes of It’s Always Sunny in Philadelphia, an oddball Danny DeVito series “that languished on FX until Hulu users made it one of the site’s most popular programs. … User reaction to the move was swift and predictable. ‘Well, off to the torrent sites,’ one wrote on Hulu’s Sunny forum.”

KenCen’s Michael Kaiser Wins Peabody

“Michael Kaiser – president of the Kennedy Center, international arts management/rescue guru and compelling advocate for preserving artistic quality even in the face of financial meltdown – is the 2009 recipient of the George Peabody Medal for Outstanding Contributions to Music in America. … He joins a starry roster of recipients, that since 1980, has included the likes of Leonard Bernstein, Quincy Jones and Eubie Blake.”

The Nocebo Effect (Placebo In Reverse)

“Take Sam Shoeman, who was diagnosed with end-stage liver cancer in the 1970s and given just months to live. Shoeman duly died in the allotted time frame – yet the autopsy revealed that his doctors had got it wrong. The tumour was tiny and had not spread. ‘He didn’t die from cancer, but from believing he was dying of cancer,'” said a researcher.

Renzo Piano’s Addition To Art Institute Of Chicago: ‘The Effect Is Magical’

Nicolai Ouroussoff: “He is not out to start a revolution. His designs are about tranquillity, not conflict. The serenity of his best buildings can almost make you believe that we live in a civilized world. The new $294 million Modern Wing … is the closest Mr. Piano has come in at least a decade to achieving this near-classical ideal.”

– And His Bridge To Millennium Park Is ‘Fun With A Capital F’

Blair Kamin: “Chicago, get ready for your latest joy ride. A new pedestrian bridge, which links Millennium Park and the Art Institute of Chicago’s Modern Wing, is a walk through the treetops, a sidewalk soaring through the sky. Climb the Nichols Bridgeway, as this sloping, 620-foot-long span is called, and you’re hovering over Monroe Street, as though you are in a helicopter.”

All Of Graham’s Flaws And Virtues, In A Single Work

Alastair Macaulay: “The full-evening Clytemnestra was first presented 50 years ago. It’s been claimed as the ultimate Graham dance drama, as an overambitious and pretentious mess, as the climax of the choregrapher’s 1940s-50s era of dramatizing Greek myths in psychological terms, as a turgid collection of stylistic clichés … I find all these responses valid; and I’m glad I was there.”