When Patti Talks, By Golly, We Respond!

“On Tuesday, Patti LuPone sent a note to Dave Itzkoff taking him to task for his coverage of her decision to stop a concert in Las Vegas to berate an audience member for using an electronic device. The post received an overwhelming number of readers’ comments (over 760 as of this writing). Theater coverage on NYTimes.com hasn’t been this animated since we posted a slide show of a shirtless Daniel Radcliffe in the London production of Equus.”

New Acropolis Museum Is Itself A Reason To Return The Elgin Marbles (Or Is It?)

Michael Kimmelman: “So the new museum that Bernard Tschumi, the Swiss-born architect, has devised near the base of the Acropolis is a $200 million, 226,000-square-foot, state-of-the-art rebuttal to Britain’s argument” that only the British Museum can take proper care of the Elgin Marbles. “‘But Greek archaeology has always been a kind of fantasy,’ Antonis Liakos, a leading Greek historian, noted the other day. The repatriation argument, relying on claims of historical integrity, itself distorts history.”

A Spiritual Jihad, Via Hip-Hop

“Real hip-hop heads know that Islam and hip-hop have been longtime friends, feeding off each other’s energy. Muslim ideals of self-respect and social change have inspired some of the greatest emcees, and hip-hop is giving voice to the dreams and daily struggles of a generation of Muslims.” The new documentary New Muslim Cool looks at the phenomenon through a Puerto Rican-American drug dealer-turned-Muslim family man.

Do The Right Thing, 20 Years On

“The film’s fiery conclusion, with the Italian-American Sal’s Famous Pizzeria going up in flames after the police murder of Radio Raheem, was the perfect denouement, a catharsis for every slight at the hands of white people. […] Watching it this time around, I found myself wishing to the very end of the film that the inevitable wouldn’t happen, that Sal’s pizzeria would not go up in flames at the hands of a black mob.”

Spike Lee And His Woman Problem

“[W]hen it comes to his female characters, it’s as though Lee can’t decide whether to worship them or punish them. […] Lee’s latent misogyny stings because, from the very beginning, his was the voice of the black hipster intellectual … You expect a little more enlightenment from him than you would from, say, Ice Cube or from Tyler Perry with his scheming evil buppies.”