Brüno Is Bad For The Gays

David Rakoff: “Baron Cohen’s Brüno is a gay minstrel, in the most literal sense of the word. Just as the characters of the burnt-cork vaudevillians had, bound up ineluctably with their dark complexions, traits like being shiftless, lazy, and ‘a-feared of spooks’ as their eyes bugged out in Neanderthal, superstitious terror, Brüno’s homosexuality comes bundled up with a lot of unattractive software.”

Actually, Brüno Is Not At All Bad For Gays

Dennis Lim: “Lost amid the dutiful hand-wringing about the movie’s capacity to offend is the rather remarkable fact that it takes on, with unprecedented purpose and directness, some of the most vexing and enduring bugbears surrounding on-screen homosexuality. Herewith, a few old themes and taboos that Brüno has its way with and that, if we’re lucky, will never be the same again.”

Kerfuffle In Edinburgh Over Handel Oratorio Deemed Anti-Scottish

“A piece of music celebrating the defeat of the Jacobites at the Battle of Culloden should not have been chosen to open the Edinburgh International Festival, a prominent Scottish philanthropist has told The Scotsman. Sir Tom Farmer said Festival regulars were ‘quite disturbed’ by the choice of Handel’s Judas Maccabeus and that the oratorio should not have been included in the programme.”

For Mortier’s Farewell To Paris, A New Opera By A Painter

For his final project as head of the Paris Opera, and to mark the 20th anniversary of the opening of the Opéra-Bastille, Gérard Mortier commissioned a work from Anselm Kiefer, “who has made his art out of the destruction he saw as a child in southern Germany, when he played happily in the wreckage of his family’s bombed house.” Kiefer created Am Anfang (“In the Beginning”) with 36-year-old composer Jörg Widmann.