The daughter of the late King Sihanouk. she began dancing at age 5; by age 16, she was a leader of the royal dance company and a mainstay of Cambodian cultural diplomacy. She fled the country when the Khmer Rouge took control in 1975; in the 1990s, she returned and, with the 10% of dancers who survived the killing fields, set about to revive the art form. – Reuters
Author: Matthew Westphal
After 19-Year-Ban, Opera Returns To Turkmenistan
The country’s first post-Soviet president, the autocratic and eccentric Sapurmurat Niyazov, banned opera in 2001 as “incompatible with Turkmen mentality.” His successor (and former dentist), Gurbanguly Berdymukhamedov, maintained the ban until this week, when Pagliacci was presented as part of a joint Italian-Turkmen cultural festival. – Yahoo! (AFP)
The Met Museum’s New Director Is Moving It In A More Multi-Discipline, Multiethnic Direction
Says Max Hollein, “Art cannot solely be perceived in regard to its beauty and craftsmanship. You also have to evaluate it in light of its political messages. … If you have one of the greatest collections you almost have an obligation to recontextualize it in regard to the narratives it provides. I want to make sure it’s not only one voice but multiple voices.” – The New York Times
$80 Million: Chicago Storefront Theater’s Contribution To Local Economy
“What of the storefronts, those famous Chicago institutions where a full house can mean 80 people and where artists frequently toil for little or even no compensation? Can they claim a significant economic impact?” Oh yes, writes Chris Jones. – Chicago Tribune
Conviction Of Picasso’s Former Electrician And Wife For Hoarding Stolen Art Confirmed
“Pierre and Danielle Le Guennec were first given two-year suspended terms in 2015 after being convicted of possession of stolen goods over the huge trove of works by Picasso, including nine rare Cubist collages and a work from his famous Blue Period. That verdict was upheld in 2016 by a higher court but then quashed by the Cour de Cassation, which ordered a retrial. The former electrician, 80, and his wife, 76, were not in court Tuesday when they were found guilty for a third time.” – Yahoo! (AFP)
Alone Among Australia’s Big Arts Festivals, Adelaide Refuses To Engage With Country’s Past And Present
“Perth and Sydney have recognised [their responsibilities] by commissioning diverse local artists working in diverse forms. These festivals are engaging with their place in contemporary culture by supporting local artistic communities, and reflecting stories of their cities back to their audiences. Meanwhile, Adelaide has continued down a well worn path … [of] proven successes from Europe, with a preference for male auteurs.” – The Conversation
Early Black Feminist Theatre and Lynching Dramas Revisited
“In the 1910s and 1920s, a number of African American women poets and authors turned to drama to address racial violence. Writers such as: Angelina Weld Grimké, Alice Dunbar-Nelson, Mary Burrill, Georgia Douglas Johnson, and Myrtle Smith Livingston were among these writers who did so. With the majority of these Black women living in the heart of Washington, D.C. they were constantly confronted with symbols of democracy that they found their lived realities falling outside of. These women contributed to the genre now known as lynching dramas.” – HowlRound
A Time to Grow Our Souls: On the Foundry Theatre’s New Book ‘A Moment on the Clock of the World’
David Dower: “[Foundry co-founder Melanie Joseph has] been so far out in front of the field for thirty years, in a place the American theatre — with its templated, collectively bargained language, practices, and values — can’t reach. And she’s been urgently trying to make herself understood — about what she sees, what she’s learned, and what we could dream, make, become, and do if only we could follow what she was saying. … [Now] Joseph has released a book — a collection of essays from various authors that makes startlingly clear not only what was accomplished but, more crucially, what was attempted.” – HowlRound
Thornton Wilder’s ‘Seven Deadly Sins’ Cycle Will Finally Be Performed Complete
The production presented this week at Suffolk University in Boston, is, according to Wilder’s estate, the first time all seven one-acts will be performed together in a single program.” – American Theatre
Macron’s Notre-Dame Reconstruction Czar Starts Ugly Fight With Chief Architect
General Jean-Louis Georgelin, a brusque army man appointed by President Macron to oversee the reconstruction of the fire-damaged cathedral, was speaking to the cultural affairs committee of the National Assembly when he said of chief architect Philippe Villeneuve, “Je lui ai déjà expliqué qu’il ferme sa gueule” (roughly, “I’ve already explained to him that he should shut his fat trap”). The genuinely horrified legislators strongly rebuked the general and suspended further meetings on the subject. – Yahoo! (AFP)