Colm Tóibín On Writers And Their Fathers

“Thus the death of Borges’s father and Naipaul’s father left space clear for the sons to work. They would only have powerful ghosts rather than real presences looking over their shoulders, ghosts whom they could dismiss at will. Like Picasso, whose father was a failed painter, or William James, whose father was a failed essayist, they could compensate for their fathers’ failure, while killing off the fathers’ indolent influence.”

Obama Sings The Blues, And A Music Critic Opines

Jon Pareles: “Blues singing is part oratory, and after a faltering start on Tuesday, Mr. Obama declaimed his lines with adequate warmth and gusto. … But performing in public – especially in the YouTube era – means that an amateur faces comparison to professionals, while the choice of repertory also gets scrutinized. And should the head of state be taking time away from the job to practice?”

Marina Abramovic Will Teach People How To Watch Performance Art

“How do you watch long performance art? There are many things they have to understand about concentration and contemplation. How do you see something when nothing is happening? It’s really difficult. I will make work and exercises for the public, and I call it the Abramovic method. You hear of Stanislavski method for theatre? This is the time for Abramovic method.”

Osvaldo Golijov Accused Of Plagiarism In Second Work

Last week critic Tom Manoff said that the composer’s Sidereus incorporated large chunks of music from Michael Ward-Bergeman’s score Barbeich; Ward-Bergeman says the borrowings were made with his cooperation. Now a Brazilian journalist says Golijov used, without attribution, a Brazilian pop sing for the second movement of his string quartet Kohelet.